Trap Door Lyrics

He moves the crowd like a cursor on DOOM
No curse words, DOOM the worst church nerd verse heard
Appeared blurred to a million true believers
He's the Supervillain arm dealer to the divas
Catch, amongst other world scandals
Butter pearl handles to match your girl's sandals
Plan was hatched by a pack of old vandals
Whose flag was a black and gold patch with bloody anvils
"Hit 'Em to the Head" was the motto
And one more time to make sure them dead, Blakko
When you throw blows in a knife fight, Paco
That's how it goes in this Modern Life like Rocko
Clock dough 24-7 cycle
When it comes to flows he got more than a mic full
Pull a broad like a dyke bull on a long bid
You're messin' with the wrong kids Michael
It ain't Jack-son
For him to flip scripts like camera, action
Villain! Raw by the laws of attraction
For future generation's information - the black one
Move the crowd like a buddha cloud, the purple
Puff puff pass 'round the circle
A jerk well renowned for his work skill
He's out, the proof is the computer's down Urkel
MC a show via wi-fi
Paid way before we wrapped it up like tie-dye

Hip-Hop sci-fi
You can see he had the eye of the tiger through the mask like the Fry Guy
Just made a baby Olmec dome check
Left some folks' ancestors home wreck
With blown backs these lesser known facts thwart evil
It got no reason, like short people
No offense, his feet was burnt brass
Whenever he walked on the street it turned glass
On his lucky rat's paw in the crap drawer
All the world's a stage, where's the trap door, slackjaw
Logic, to keep your mind in the project
Drop the check, his job is to chop necks
That's just payback for noses, no psych though
What they don't know like Bo
Won't hurt Diddley squat
Got to be kiddin' me, not
Seriously plot, to put a hit out on a G-spot
Gypped like Egypt out their kettles and they teapot

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Genius Annotation

Trap Door, from Seattle producer Jake One’s 2008 album White Van Music, is one of two DOOM tracks on the record, both of which display DOOM in peak form after a few years of drift and stylistic regression. Without chorus or hook, DOOM unloads his trademark clever verbiage and free association.

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