Cover art for Writing on the Wall: Social Media - The First 2,000 Years (Introduction) by Tom Standage

Writing on the Wall: Social Media - The First 2,000 Years (Introduction)

Writing on the Wall: Social Media - The First 2,000 Years (Introduction) Lyrics

In July 51BC the Roman statesman and orator Marcus Tullius Cicero arrived in Cilicia, in what is now south-east Turkey, to take up the post of proconsul, or regional governor. Cicero had been deeply reluctant to leave the bustle of Rome, where he was a central figure in the plotting and counter-plotting of Roman politics, and he intended to return as soon as was decently possible. The burning question of the day was whether Julius Caesar, commander of Rome’s armies in the west, would make a grab for power by marching on the city. Cicero had spent his career trying to defend the political system of the Roman republic, with its careful division of powers and strict limits on the authority of any individual, from Caesar and others who wished to centralise power and seize it for themselves. But a new anti-corruption law required Cicero and other trustworthy elder statesmen to take up posts as provincial governors. Fortunately, even in distant Cilicia, Cicero had the means to stay in touch with the goings-on in Rome—because the Roman elite had developed an elaborate system to distribute information.

At the time there were no printing presses and no paper. Instead, information circulated through the exchange of letters and other documents which were copied, commented on and shared with others in the form of papyrus rolls. Cicero’s own correspondence, one of the best-preserved collections of letters from the period, shows that he exchanged letters constantly with his friends elsewhere, keeping them up to date with the latest political machinations, passing on items of interest from others and providing his own commentary and opinions. Letters were often copied, shared and quoted in other letters. Some letters were addressed to several people and were written to be read aloud, or posted in public for general consumption.

When Cicero or another politician made a noteworthy speech, he could distribute it by making copies available to his close associates, who would read it and pass it on to others. Many more people might then read the speech than had heard it being delivered. Books circulated in a similar way, as sets of papyrus rolls passed from person to person. Anyone who wished to retain a copy of a speech or book would have it transcribed by scribes before passing it on. Copies also circulated of the acta diurna or state gazette, the original of which was posted on a board in the forum in Rome each day and contained summaries of political debates, proposals for new laws, announcements of births and deaths, the dates of public holidays and other official information. As he departed for Cilicia, Cicero asked his friend and protégé Marcus Caelius Rufus to send him copies of each day’s gazette along with his letters. But this would be just part of Cicero’s information supply. “Others will write, many will bring me news, much too will reach me even in the way of rumour,” Cicero wrote.

With information flitting from one correspondent to another, this informal system enabled information to penetrate to the farthest provinces within a few weeks at most. News from Rome took around five weeks to reach Britain in the west and seven weeks to reach Syria in the east. Merchants, soldiers and officials in distant parts would circulate information from the heart of the republic within their own social circles, sharing extracts from letters, speeches or the state gazette with their friends and passing news and rumours from the frontier back to their contacts in Rome. There was no formal postal service, so letters had to be carried by messengers or given to friends, traders or travellers heading in the right direction. The result was that Cicero, along with other members of the Roman elite, was kept informed by a web of contacts—the members of his social circle—all of whom gathered, filtered and distributed information for each other.

To modern eyes this all seems strangely familiar. Cicero was, to use today’s internet jargon, using “social media”: that is, media you get from other people, exchanged along social connections, to create a distributed discussion or community. The Romans did it with papyrus rolls and messengers; today hundreds of millions of people do the same things rather more quickly and easily using Facebook, Twitter, blogs and other internet tools. The technologies involved are very different, but these two forms of social media, separated by two millennia, share many of the same underlying structures and dynamics: they are two-way, conversational environments in which information passes horizontally from one person to another along social networks, rather than being delivered vertically from an impersonal central source.

Cicero’s web is just one of many historical antecedents of today’s social media. Other notable examples include the circulation of letters and other documents in the early Christian church; the torrent of printed tracts which circulated in 16th-century Germany at the start of the Reformation; the exchange and copying of gossip-laden poetry in the Tudor and Stuart courts; the duelling political pamphlets with which Royalists and Parliamentarians courted public opinion during the English Civil War; the stream of news-sheets and pamphlets that coursed through Enlightenment coffee-houses; the first scientific journals and correspondence societies, which enabled far-flung scientists to discuss and build upon each other’s work; the pamphlets and local papers that rallied support for American independence; and the handwritten poems and newsletters of pre-Revolutionary France, which spread gossip from Paris throughout the country. Such social-media systems arose frequently because, for most of human history, social networks were the dominant means by which new ideas and information spread, in either spoken or written form. Over the centuries, the power, reach and inclusivity of these social-media systems steadily increased.

But then, starting in the mid-19th century, everything changed. The advent of the steam-powered printing press, followed in the 20th century by radio and television, made possible what we now call “mass media”. These new technologies of mass dissemination could supply information directly to large numbers of people with unprecedented speed and efficiency, but their high cost meant that control of the flow of information became concentrated into the hands of a select few. The delivery of information assumed a one-way, centralised, broadcast pattern which overshadowed the tradition of two-way, conversational and social distribution that had come before. Vast media empires grew up around these mass-media technologies, and autocratic governments embraced their potential to spread propaganda more easily than ever before.

In the past decade, however, the social nature of media has dramatically reasserted itself. The internet has enabled a flowering of easy-to-use publishing tools and given social media unprecedented reach and scale, enabling it to compete with broadcast media and emerge from its shadow. The democratisation of publishing made possible by Facebook, Twitter, YouTube and other social platforms has been hugely disruptive for mass-media companies and, more importantly, is beginning to have far-reaching social and political effects. The re-emergence of social media, now supercharged by digital networks, represents a profound shift not just within the media, but within society as a whole.

And it has raised a host of difficult questions. Have new forms of social media led to a trivialisation and coarsening of public discourse? How should those in authority respond when they face criticism in social media? Does social media inherently promote freedom and democracy? What is the role of social media, if any, in triggering revolutions? Is it a distracting waste of time that prevents people doing useful work? Is the use of social media actually anti-social, as online connections displace real-world interaction? Is social media just a fad that can be ignored?

It turns out that history can help us answer these questions, because they were also asked about the social-media systems that arose before the digital age. These early forms of social media were involved in many of history’s great revolutions. Concerns about the trivialisation of public discourse, and the belief that new forms of media are dangerously distracting, go back centuries, as do the debates about the regulation of social-media systems and their ability to bring about social and political change. By examining the analogue antecedents of today’s digital social media, we can cast new light on modern debates. At the same time, our modern experience of social media enables us to see the past with new eyes. Historical figures including St Paul, Martin Luther and Thomas Paine are revealed as particularly adept users of social-media systems, with consequences that reverberate to this day.

All this will come as a surprise to modern internet users who may assume that today’s social-media environment is unprecedented. But many of the ways in which we share, consume and manipulate information, even in the internet era, build upon habits and conventions that date back centuries. Today’s social-media users are the unwitting heirs of a rich tradition with surprisingly deep historical roots. Social media does not merely connect us to each other today — it also links us to the past.

How to Format Lyrics:

  • Type out all lyrics, even repeating song parts like the chorus
  • Lyrics should be broken down into individual lines
  • Use section headers above different song parts like [Verse], [Chorus], etc.
  • Use italics (<i>lyric</i>) and bold (<b>lyric</b>) to distinguish between different vocalists in the same song part
  • If you don’t understand a lyric, use [?]

To learn more, check out our transcription guide or visit our transcribers forum

About

Genius Annotation

Writing on the Wall by Tom Standage is a fresh, provocative exploration of social media over two millennia.

Tom Standage is a journalist and author based in London. His speciality is the use of historical analogy in science, technology and business writing. He has done various jobs at The Economist over the years, and at the moment is the editor of its digital output (the website, mobile apps, etc).

Q&A

Find answers to frequently asked questions about the song and explore its deeper meaning

Comments