This line is Khan’s way of mocking the mentality of advertisers and PR execs at major record labels.
Khan’s of Jewish heritage, and so putting him on stage in this:

would be about as stereotypical as it gets.
Fiddler On The Roof is a Broadway show that was adapted into a film, which was itself based on a fictionalized memoir called Tevye and his Daughters. The story follows Tevye, who struggles to stay true to his Jewish roots while Grand Duke Ivan IV’s annexing of Russia starts to affect his everyday life.)
Believe it or not, you don’t have to claim to live Edge. You can just, y'know, not do that shit.
Maybe edit to show that he pronounces Jehovah as Jay-hova for the purpose of the rhyme.
For something to consider to adding to the description, the beat sounds exactly like “An End Once and For All” from the Mass Effect 3 OST.
Is it? I thought it was “light your fight on fire with my RIAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA”
@Alethea First of all, stop it. Just stop it. There is no god, devil or illuminati.
Marshall Mathers is Eminem. Shady is an alternate personality of Eminem.
Shady is an alternate personality of Eminem, who’s an on-stage character of Marshall Mathers.
Everything is literal.
Let’s recount the fucked-up shit that Em has done just
According to this song.
Has murdered a man by using a snake’s venom,
by biting the shit out of them and slapping him with
his logo.
Aditionally, he also recorded audio of him murdering Kim,
shot up a packed stadium, was raped while he had one arm and
was locked in Mariah Carrey’s basement.
No, but really. This entire verse is Em contemplating
whether Shady is really who he is and whether Shady was
totally responsible for his career.