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What is this?
The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.
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What is this?
The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.
To learn more about participating in the Genius Editorial project, check out the contributor guidelines.
What is this?
The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.
To learn more about participating in the Genius Editorial project, check out the contributor guidelines.
Are in a key that you can comprehend
In tune with the thoughts you're ponderin' Flobots – Happy Together
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Giving hints and clues to where your name resides Flobots – Happy Together
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I think about you day and night, it's only right
To think about the girl you love and hold her tight
So happy together
If I should call you up, invest a dime
And you'd say you belong to me and ease my mind
Imagine how the world could be so very fine
So happy together Flobots – Happy Together
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What is this?
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“Degrees” refers to degrees of separation, where the number of degrees is the number of people you know somebody through. Jonny and his soulmate weren’t very far apart socially, but somehow kept missing each other.
Compare to “Six Degrees of Kevin Bacon”
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References Rudolph the Red-Nosed Reindeer
If you don’t know the lyrics by heart, find your parents and demand a childhood.
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This is a U.K.-exclusive bonus track on the album Fight With Tools. Its title betrays the theme that will play out, which is the war in Iraq.
The style of this song is very different from the rest of the album. It begins and ends with clips from an interview about why the war was probably not as morally necessary as it was made to sound. The stanzas are erratic in length and rhythm, and the overall effect is a sense of chaos.
Though if the flows are a little fucked up, it’s made up for by some mad violin skills by Mackenzie Gault, who is on most every track rocking the strings and gets far less credit than she deserves.
Whats lyrically amazing about this track is that if you look at the first letter of each word in a verse it spells out IRAQ
as well as in the hook (Its Really A Quagmire ),(except in the last line of the first verse where “Cue” makes the “Q” sound it still makes lyrical sense.)
The last line of the first verse is probably spelled ‘Queue’…