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“The Middle” was written after Jimmy Eat World had been dropped from Capitol Records after their previous album Clarity had been released. Jimmy Eat World’s first album Static Prevails had sold just 10,000 copies in 1996 and Capitol Records decided to drop the band in 1999 due to a change in priorities. Singer/guitarist Jim Adkins explained to the Dallas Observer: “We were just about invisible there and it wasn’t going to get any better.”

“The Middle” reflects these trying times for the band with lyrics about “Don’t write yourself off yet” when feeling “left out or looked down on.” The band decided to finance the recording of the album and decided to keep things simple on the new record rather than experiment, as they had done on previous records. “On our new stuff, rather than challenging ourselves [by] getting real experimental, we kind of went in the other direction, challenging ourselves by getting very simple.”

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The opening song on Yankee Hotel Foxtrot looks at a man who feels isolated and alone in the big city after a tumultuous relationship, seemingly ended by his own misdeeds.

In Sam Jones' documentary named after this song, Nonesuch Records executive David Bither was excited about Yankee Hotel Foxtrot after hearing the first 30 seconds of this song.

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“Tongue-tied lighting” refers to the arguments between couples.

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Not only is he drinking, but he’s driving down the avenue. He refers to himself as an assassin because people who drink and drive run the risk of killing people.

Or he is hammered and could be walking in a zig zag down the street like an assassin trying not to get shot.

Also “assassin” this is a drunk’s garbled rendering of “sashay” to “walk in an ostentatious yet casual manner, typically with exaggerated movements of the hips and shoulders.”

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“1901” was the first single released from French alternative rock band Phoenix’s 2009 album Wolfgang Amadeus Phoenix. Along with the rest of the album, the song was released to great acclaim, and featured on best-of year and decade lists for 2009 and the 2000s, respectively.

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“It’s really a song about my friend Marty and I. We went out one night to watch his dad play, his dad was a Flamenco guitar player who lived in Spain, and he was in San Francisco in the Mission playing with his old Flamenco troupe. And after the gig we all went to this bar called the New Amsterdam in San Francisco on Columbus and we got completely drunk. And Marty and I sat at the bar staring at these two girls, wishing there was some way we could go talk to them, but we were too shy. We kept joking with each other that if we were big rock stars instead of such loser, low-budget musicians, this would be easy. I went home that night and I wrote a song about it”

That is the literal meaning behind it, but the more subtle meaning has to do with dreams and what motivates us to do what we do.

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Yorke has said that the lyrics are based on an unpleasant experience in a noisy bar. As the subsequent lyrics show, however, that’s just a jumping-off point. As he often does, Yorke has abstracted the experience that he had in the bar and used it as inspiration for a song with more general meaning. In “Paranoid Android” (and much of OK Computer) Yorke describes an emotional landscape of paranoia and confusion created by modern urban life and interactions with strangers.

One interpretation is that the voices represent an internal conflict and the noise around him only seems to exacerbate a preexisting problem. After all, “unborn” is another way of saying not brought into existence; “chicken” is another word for coward; and “voice” is a synonym for opinion or input.
 Basically, the narrator is asking to take a break from all the words/views he’s too scared to express (maybe fascist-like thoughts of acting like a dictator), so they’re still in his head and he regrets it.

A similar imagery had been used in Street Spirit (Fade Out), which compels many to associate these lines with Thom Yorke’s veganism.

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While it may appear as if Yorke is showing off his trademark cynicism, saying that you’ll die with all your worthless thoughts about worthless things, he’s said that this is the character of the song talking, and reflects the opposite of how he feels:

Again, that’s just a joke. It’s actually the other way around – it’s actually my opinion that is of no consequence at all.”

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The couple has a very private, intimate relationship. Each and every day they share secrets with one another.

Additionally, when you’re in love you see things no one else sees in the person you love. It’s like you’re in alert for every detail that could mean something for you.

The time they spend together is “quality time” they talk and share with each other so much of themselves they’re probably best friends and the person doesn’t know about her feelings.

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The couple is so infatuated with one another that they don’t need to communicate verbally to feel each other’s love.

Another possibility: Maybe one of them hasn’t confessed the love for the other person. Hence “a silent devotion”: a devotion not shared with the love interest.

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