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“Last Goodbye” was the second single from Grace. It details a man ending a relationship with a woman who both love each other, but both come to terms with the fact that they are truly not for each other, just before the relationship turns sour.

This song was originally titled “Unforgiven”; as stated on his official website by his mother, Buckley went through a metamorphosis with many of his songs, and it is evident when one hears early versions of “Unforgiven”, one of which can be heard on Live at Sin-é (Legacy Edition), and the final version of the song heard on Grace.

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The opening verse refers to a man who’s in love with a woman and breaks things off, because the love between them has died, and the relationship is bound to end.

This is not a song of heartbreak, he is not trying to make the relationship last. He acknowledges that it is over, and is mourning for the love which has been lost. He breaks things off so she can get the good things that she deserves, and he will still miss her and cherish their memories together, thanking her for all the things that she gave him in the relationship, and for making his life worth living for a while.

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As the opening track on their second album, Room On Fire, “What Ever Happened?” kicks off the album’s themes of the band gaining newfound fame and relationships.

The title refers to a topic in journalism and show business, in which they ask this question - or a simplified version of it, such as ‘where are they now?’ – about a formerly relevant person, trend, artist or celebrity that has since dropped in popularity or tabloid appearances. This topic has some similarities with the Latin phrase Ubi Sunt, meaning, “where are they?” This might also be a reference to a 1960 novel by Henry Farrell, called What Ever Happened to Baby Jane? The fact that this is the first song in the album may be a kind of anticipation to all the hate they knew the album would receive when it saw the light; or their inevitable spiral back to anonymity.

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“Longview” describes intense boredom, with a title taken from a Washington town where it was first played. Lyrically, the song is about a day spent sitting around the house, doing absolutely nothing of importance, masturbating, and smoking marijuana until the days are no longer fun.

The song captured the attention of many youths at the time with its overt allusions to masturbation. Bassist Mike Dirnt has stated that the famous bass line intro to this song was written one night while he was high on LSD, and what remains on the album is what he and lead singer Billie Joe Armstrong could recall in the morning.

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The Beach Boys' Brian Wilson recounted the genesis of the title “Good Vibrations” in his 1995 biopic, I Just Wasn’t Made for These Times, and at other times. When he was a child, his mother told him that dogs could pick up “vibrations” from people, so that the dog would bark at “bad vibrations”. Wilson turned this into the general idea of vibrations (and Mike Love putting “good” in front of vibrations), and developed the idea of people being able to do the same with emotions.

This song is revolutionary in a couple of ways. Firstly, the song is a for the time unusual form:
A B A' B C D B E
There is a lot of new material (C, D and E), where most previous songs only had A’s and B’s and sometimes a bridge. Furthermore, these new parts are not in obvious ways musically connected to previous parts.
Second, there is a ton of instruments that were completely new to this type of music, most notably an Electro-Theremin. This song and the album Pet Sounds in general greatly influenced the Beatles, which resulted in Sgt. Pepper.

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Golden Light is the first track from Twin Shadow’s second studio album, Confess.

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Timberlake wishes he never heard about the cheating from other people – some things are better left unsaid, he thinks. Also, he knows that Britney didn’t just talk to another guy; she got physical with him.

Timberlake could also be insinuating that she cheated with multiple people when he says, ‘it wasn’t like you only talked to him.’

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“Paranoid Android,” the first single from OK Computer, is characterized by three distinct moods written in what Thom Yorke referred to as three different states of mind. The song’s lyrics tie in with a number of themes common in OK Computer, including insanity, violence, slogans, and political objection to capitalism.

Yorke’s lyrics were based on an unpleasant experience at a Los Angeles bar during which he was surrounded by strangers high on cocaine. In particular, Yorke was frightened by a woman who became violent after someone spilled a drink on her.

The woman inspired the line “kicking squealing Gucci little piggy” in the song’s second section. Yorke described her as “inhuman”, and said

[…]there was a look in this woman’s eyes that I’d never seen before anywhere… Couldn’t sleep that night because of it.

In an issue of Rolling Stone, the band has compared the song to other multi-part rock pieces by famous artists, and tackled the often-raised comparison with progressive rock. Thom Yorke:

It was 50 percent “Bohemian rhapsody,” if I could ever get that many vocals together, and 50 percent “Happiness Is a Warm Gun.”

Ed O'Brien:

To me, the song sounded like Queen meets the Pixies. […] People thought it was prog, but prog always took itself so seriously. And “Paranoid Android,” there’s a kind of serious message in there, but it’s kind of cartoon-like.

Jonny Greenwood:

There’s a Mellotron on it. I remember hearing a Genesis record and thinking the Mellotron sounded amazing, so I stole it. It was either “Nursery Cryme or ”Selling England by the Pound“. It didn’t sound like any other keyboard. Instead there was a choir, and a weird, fucked-up sort of choir. I love the fact that the notes run out after a few seconds. Some relative of the inventor was trying to remake them and had a few. They came with the tapes in and it turned out they all belonged to Tangerine Dream, which is getting into prog territory.

The song was also used as the ending theme for the anime series Ergo Proxy.

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“Wish You Were Here” is the title track on Pink Floyd’s 1975 album. The song’s lyrics encompass writer Roger Waters‘ feelings of alienation from other people, drawing particular inspiration from his old friend Syd Barrett, the founder of Pink Floyd who left the band due to mental health issues. The song forms part of a concept album focusing on absence and disenchantment with the music industry. The song “Shine on you Crazy Diamond (Parts 1-9)” was already an homage to Syd, while this one also grieves his absence. The other two songs on the album (“Welcome to the Machine” and “Have a Cigar”) express the band’s newfound distaste for the pressures of the music industry, pressures that they feel helped cause Syd to crack, thus tying the album together as a coherent piece. David Gilmour and Roger Waters collaborated to write the music.

This was a rare case of the Pink Floyd primary songwriters Roger Waters and David Gilmour mutually collaborating on a song – they rarely wrote together. Gilmour had the opening riff written and was playing it in the studio at a fast pace when Roger Waters heard it and asked him to play it slower. The song built from there, with the pair writing the music for the chorus and verses together, and Waters adding the lyrics.

The song reflected the feeling of the band while they were recording the album. Waters felt they were not putting a full effort into the recording sessions.

When this song starts, it sounds like it is coming from an AM radio somewhere in the distance. It represents the distance between the listener and the music.

At 42 seconds, you can also hear Richard Wright cough. When he heard the song later, it inspired him to quit smoking.

While not a single upon release, it earned this status with a version recorded on the live album Pulse, where the cover depicted two lost souls staring into fish bowls.

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