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There’s something about academic competition, that although they’re working together racing towards something that may be for the good of all mankind, there’s still a sizable amount of selfish motive in what they are doing. Also the competition aspect says something unfair about the world of science in that although people may put the same effort into something, the prize is still won and lost and losers are often forgotten.

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“Race For The Prize (Sacrifice Of The New Scientists)” is the first single taken from The Soft Bulletin, reaching #39 in the UK Singles Chart as the highest charting single from the album. In 2010 Pitchfork Media included the song at number 30 on their Top 200 Tracks of the 90s.

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This line is related to the overall theme of humans being disposable, which relates to Anne Frank and the Holocaust (see “it’s so sad to see the world agree that they’d rather see their faces filled with flies,” or “I know they buried her body with others, / her sister and mother and 500 families.”) This imagery describes fetus floating in the womb of a pregnant Holocaust victim who was thrown into a mass grave like a piece of garbage. The fetus is swimming through the waves and undertow in utero, and can only float because they haven’t been born and can’t swim yet. In the final line, the baby reveals that he will float until he “finds himself again,” i.e., is reborn in the next life.

It is also important to consider this line and the rest of Part 3 outside the context of Anne Frank and the Holocaust, given it was written, at the earliest, in 1991, five years before On Avery Island. In an interview, Jeff stated that the second verse is about a dark time when he lived with his mother.

This could be a reference to Part 1 of this song, where Jeff says:

And mom would stick a fork right into daddy’s shoulder / And dad would throw the garbage all across the floor"

In that light, the line could mean that the mother is a receptacle for a lot of verbal, emotional, or even physical abuse from the father. He lays all his negativity, aggression, and disappointment (his garbage) in her.

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The lines “I love you Jesus Christ, Jesus Christ I love you” are replaced in the booklet for the album with a small explanation by Jeff.

…and now a song for Jesus Christ. And since this seems to confuse people I’d like to simply say that I mean what I sing although the theme of endless endless on this album is not based on any religion but more in the belief that all things seem to contain a white light within them that I see as eternal.

This line suggests an ambiguity as to who he loves. Like some of E.E. Cummings' poetry, it is intended to be read multiple ways–he may be referring to the girl that he was talking about in the first track of the album or Jesus Christ.

He said in a 1997 Q&A with the zine Puncture:

The thing about me singing about Christ; I’m not saying “I love you Christianity.” I’m not saying “I love all the fucked-up terrible shit that people have done in the name of God.” And I’m not preaching belief in Christ. It’s just expression. I’m just expressing something I might not even understand. It’s a song of confusion, it’s a song of hope, it’s a song that says this whole world is a big dream– and who knows what’s gonna happen.

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Jack Frost is the personification of frost and cold weather, a variant of Old Man Winter held responsible for frosty weather, for nipping the nose and toes in such weather, coloring the foliage in autumn, and leaving fernlike patterns on cold windows in winter.

  • 19th-century cartoon depicting Jack Frost as a United States major-general during the American Civil War.

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“The Christmas Song” (commonly subtitled “Chestnuts Roasting on an Open Fire” or, as it was originally subtitled, “Merry Christmas to You”) is a classic Christmas song written in 1944 by musician, composer, and vocalist Mel Tormé (aka The Velvet Fog), and Bob Wells. According to Tormé, the song was written during a blistering hot summer. In an effort to “stay cool by thinking cool”, the most-performed (according to BMI) Christmas song was born.

“I saw a spiral pad on his piano with four lines written in pencil”, Tormé recalled. “They started, "Chestnuts roasting…, Jack Frost nipping…, Yuletide carols…, Folks dressed up like Eskimos.‘ Bob (Wells, co-writer) didn’t think he was writing a song lyric. He said he thought if he could immerse himself in winter he could cool off. Forty minutes later that song was written. I wrote all the music and some of the lyrics.”

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The phrase “Happy Christmas” may sound odd to US-based listeners, but it is more common than “Merry Christmas” in the UK.

Kyoko Chan Cox is Yoko’s daughter with Anthony Cox.
And Julian Lennon is John’s son with Cynthia Lennon.

Kyoko and Julian are both children that John and Yoko had with other people. Yet, John and Yoko wish both a happy Christmas. This message may signify affection and love beyond borders, in spite of hardship and differences.

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In December 1969, two years before this song came out, John and Yoko had put this same message on billboards and posters around the world in protest of the ongoing Vietnam War.

As explained here:

According to John and Yoko, the choice to go to war or live in peace is personal. People have the power to decide that they do not want to bear with the aftermath of war simply by choosing to stay away.

The US would finally get around to leaving Vietnam in 1973, and the war ended for everyone in 1975 with North Vietnamese victory.

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Recognising the accessibility and popular appeal that made his 1971 single “Imagine” a commercial success compared to the other songs he had released up to that point, Lennon concluded, “Now I understand what you have to do: Put your political message across with a little honey.” He conceived “Happy Xmas (War Is Over)” as a means of elaborating upon the themes of social unity and peaceful change enacted through personal accountability and empowerment that served as the basis of the earlier billboard campaign, trying to convey optimism whilst avoiding the sentimentality that he felt often characterised music of the holiday season.

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The band and their record company, Polydor, decided to produce a Christmas hit. For inspiration Slade members Noddy Holder and Jim Lea looked at previous material they had written. Lea recalled a melody and verse he came up with while showering, and Holder recalled a song he had discarded in 1967, which he had written when the band were named the N'Betweeners. It was entitled “Buy Me a Rocking Chair”, and was Holder’s first solo work. Holder used the melody of this song for the chorus, and Lea’s melody became the verse. After an evening out drinking, Holder worked through the night at his mother’s house in Walsall to write the lyrics, which he completed in one draft.

In a 2007 interview with the Daily Mail, he spoke about the song’s creation:

“We’d decided to write a Christmas song and I wanted to make it reflect a British family Christmas. Economically, the country was up the creek. The miners had been on strike, along with the grave-diggers, the bakers and almost everybody else. I think people wanted something to cheer them up – and so did I. That’s why I came up with the line ‘Look to the future now, it’s only just begun’. Once I got the line, ‘Does your Granny always tell you that the old ones are the best’, I knew I’d got a right cracker on my hands.”

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