These bars are very similar to the opening lines on Logic’s 2013 track “Gone”:

And all these Spanish women watchin' me like a Novela
And even when we in the crib I still need an umbrella

A novela is a Spanish soap opera. Logic describes shooting you with his gun and making you more wet from blood than an umbrella, which protects from rain.

In Logic’s song, Young Sinatra II, he has a line that goes:

How can sky be the limit when there’s footprints on the moon.

(A quote that originated from Paul Brandt.)

A true fan would recognize the beginning of this line and be able to recite the second half.

For fans of Logic that have been around since his early mixtapes, they will realize that anything is possible. Nobody thought Logic would make it this far but with hard work he was able to reach passed the expectations and he’s inferring that anybody can do it if he was able to.

Kweli is a well rounded rapper, and can apply his skills to any situation. By being a hitter, catcher and relief pitcher, Kweli can be called upon in any part of the game.

The beat was made by the UK electronic duo Disclosure.

2 Live Crew was a rap group from Miami

Simple simile: He would blow up (become famous) like a nuclear reactor that also blows up in it’s own way.

B.o.B is asking who has the control over what is said on the news and all the lies he hears. The flow of this verse resembles the flow of “Where Are You (B.o.B vs. Bobby Ray)”

This is also the second time B.o.B presents these thoughts on the album (The first time being on the album’s third track: “Paper Route”)

Marty Randolph is acting like a big time, commercial record dealer, exactly the opposite of what Logic wants. These artists sell out quickly. Marty wants to use Logic to make some easy money. Marty from Young Sinatra 1

When asked by Beezy of Dead End Hip Hop about the inspiration for Welcome To Forever’s title, Logic replied:

I was going through a couple of different ideas for titles. Sonically they were [all] dope titles, but I was like “Does it fit me?” Then I was texting a homie of mine, his name is Shek—he’s just a good friend of mine—and I remember we were talking about something, and he was like, “Something, something, something, welcome to forever.” And I was just like, “Man,” ‘cause he was just saying it like “You’re here,” but the way I took it was so much deeper, and when I applied it to music I was like, “Damn, after this mixtape, "album,” comes out I will forever be a part of hip-hop, and I wasn’t before. I’m in hip-hop now. I’m in the discussion, and that shit makes me happy. And I knew that once this was out, it was going to be out forever, and… in a hundred years, two-hundred years from now [people will] be able to search Logic and find me forever.