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Some of the same people Gambino chilled with here have apparently sent messages to Gambino that he’s only relevant to them because of the money.

Whenever he has something to pay or can’t hook them up, they’re gone. May not be the best of friends…

Gambino may be currently experiencing similar feelings that he described a while ago on “Fuck It All” where people are getting to him, which is hurting him for the worse. (He seems to recover a bit in the next line, however.)

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Hopefully she isn’t just another ho. Hopefully there truly is something special.

Maybe she gets his heart beating.

He could also be addressing the reader, saying that between us, he thinks there is something special in this life and even if we don’t understand it yet, it is worth undertaking the journey to search for it.

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Even if you don’t understand why Gambino’s stressing, what he’s stressing about, or etc., Gambino still would like the support (from his girl and his fans). This includes listening to his introspective music, viewing his other means of communication, and (for his partner) holding his hand and staying by his side until he dies. He has chosen this in-depth, reflective subject matter for a reason.

Seek first to understand, then to be understood.

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Sia uses a ‘but’ to shift the tone of the song, from describing her weakness to proclaiming her strength and ability to pull through. If her heart has been broken, the ex will not see her sad and upset. Her elastic heart will come back to its original form without him.

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In his song “Adaptation,” The Weeknd sings about how he’s sacrificed true love to get to where he is now.

There’s an interesting twist here. Is Katniss Everdeen the chosen one? The Weeknd? Sia? We move out of the song’s narrative, to be reminded that these are special people singing about special people.

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When combined with the following line of the song, this vow to survive is reminiscent of a famous quote from Louie Malle’s 1992 movie Damage.

The original passage from Josephine Hart’s 1991 novel — the basis of the movie — is: “All damaged people are dangerous. Survival makes them so. Why? Because they have no pity. They know that others can survive, as they did.”

David Hare’s screenplay pares that down. Juliette Binoche’s character, Anna, delivers the line:

Remember. Damaged people are dangerous. They know they can survive."

http://www.youtube.com/watch?v=BK5bbwPqT-Q&t=1m36s

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This excerpt of Babyface’s vocals are sampled from the Babyface & Manchild song, “One Tender Moment”. Additionally, this beat is sampled throughout the the first verse, and returns midway through the second verse.

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Half of the mood in this song is expressed through the lyrical content, in which the listener receives constant reminders of how the drugs and ironically destructive meds are flowing through Abel’s veins. The other half of the communication is through the harmonizing and crooning behind the lead vocals that provide a “smooth, heavenly chaos” over a soft melody.

When referencing this song in an interview with Pitchfork, The Weeknd admits:

There are songs like “Gone” where I don’t even know what I’m saying—I let my voice do all the talking…That’s the Ethiopian side of me. I didn’t know what [the musicians] were saying when I was younger: Just because you speak it doesn’t mean you really understand what they’re saying.

Ending the song by concluding he’s still “gone” leaves the audience to believe that he’s going to be in the clouds way beyond the song’s run-time.

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After having a show and a night of heavy partying on the town, The Weeknd is too faded to get home. He “left the ground” at the show and is already high.

Abel has a girl back home that is waiting on his arrival, and he knows that she’ll be concerned for his health and safety. He isn’t worried though, because after his show, he wants to go to his “girl’s show” – a sexual encounter.

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Arguably the most Michael Jackson-esque song on the album, Wanderlust describes, aside from Abel’s own sexual desires, how misconstrued the idea of real “love” is today. Listen to the Pharrell remix of this song below:

http://www.youtube.com/watch?v=pV1AZwKduS8

This track samples “Precious Little Diamond” performed by Fox the Fox.

Since Abel refers to many modern music classics throughout this album (Fox the Fox, Portishead), the title is probably a reference to the classic Paul McCartney song.

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