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This slow blues epic is the last song on Zeppelin’s 1976 album ‘Presence’. It follows the same chord progression as the ‘70 Zeppelin song “Since I’ve Been Loving You.” According to Jimmy Page, he wanted to do the same thing to see how much different of a band Led Zeppelin from the time of the original song. The lyrics, written by Robert Plant, describe the feeling of homesickness that he felt while on tour.

On Aug. 4, 1975, between the Led Zeppelin tours, Robert Plant and his family were vacationing in Rhodes, Greece, where he and his wife; Maureen, had a serious car accident. Mainly due to tax reasons he left his wife in Greece and recovered back in England. This song is written based on the loneliness time of Plant when he was far away from his wife.

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This is a poem written by Jim Morrison about a girl, like many young girls in todays society, who are afraid to “swim in mystery” and are therefore unhappy with their lives. These women will spend their adulthood regretting the chances they could’ve taken when they were younger.

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The Little Girl Lost is a 1794 poem published by William Blake in his collection Songs of Innocence and of Experience. This poem represents Blake’s pattern of the transition between “the spontaneous, imaginative Innocence of childhood” to the “complex and mature (but also more dangerous) adult state of Experience.” Could easily be taken as an homage to one Jim’s favorite poets.

Songs later on the album including Unhappy Girl and I Can’t See Your Face In My Mind follow a similar theme.

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This line likely refers to alcohol consumption and what it does to people. ‘Bodies confused’- people stumbling around trying to keep their footing. ‘Memories misused’- blacking out.

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If they are no longer welcome to play their music here, they will simply find a new place to play.

This could possibly be a reference to the Whisky a Go Go bar that The Doors used to play at in 1965-1966. They got kicked out in 1966 for playing “The End” and for Jim Morrison screaming “Mother, I want to fuck you” on stage.

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Strange Days are good days because so much happens in them. However, one who has many Strange Days will no longer appreciate the casual days where nothing important or significant happens.

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Part of being young in this world, specifically between the ages of 14-22 (the period of hormones), is experiencing strange things and strange days. Your life changes so quickly in those years and it’s all so strange, these lyrics capture that.

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This is the second track on Strange Days (1967). The song’s title can be a reference to the poem “A Little Girl Lost”, by William Blake, written in 1794. Given the connection Morrison had with Blake’s work, it might just be.

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This song is the first track and the title track on the 1971 Album called Aqualung.

Much of this album was, in fact, inspired by frontman, lyricist and singer Ian Anderson’s then-wife Jenny Franks' photographs of the homeless along the Thames Embankment in central London.

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This likely is describing the creation of earth or the creation of humans, either way, it is about the small chance of everything going exactly the right way for us to appear where we happen to be.

This could also allude to a Samuel Taylor poem, “The Rime of the Ancient Mariner,” in which the mariner is at sea with his crew mates and they see an albatross in the sky (which was considered to be a good sign or a holy symbol), to which the mariner decides to shoot it while it’s flying above them. However, everything went to hell so the other crew mates blamed the mariner and made him wear the albatross on his back.

It’s about biodiversity. How albatrosses and marine life have a common ancestor and that’s why everything is green and submarine.

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