typical p.c. music bubblegum vaporwave, often a bit much to take (your first encounter with p.c. music is especially jarring), but the driving bass and electronics aren’t to be ignored. but for a better project…

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“1,000 Years” is a song dedicated to “those who can’t quite swallow the fact that a goodbye has been said and that is that.” The eighth track on Anne’s 2014 album The Colder Months tries to cope with the goodbye, turning to liquor among other methods, though offers the hidden realization that drinking won’t help the situation.

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Alcohol serves as a coping technique to try to recreate the memories and feelings of their past lover, but the lyric page to this song on Liza Anne’s website contains a coded response to this method. The lyrics are written out in all lowercase, save for the occasional capital letter that, when placed together, spell out the message:

I CANT DRINK YOU INTO MY ARMS

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Vesuvius: Like many people, my first reaction upon listening to 22, A Million was “wtf.”

Today, I love this thing.

It does a lot of similar things to Blonde – the vocal distortions and use of space and mumbling about nothing – but imo has more moments of beauty.

Definite top 10, probable top 5, credible #1 but I’d be surprised if it ends up there.

brock: if you know brock, you know brock is a justin vernon fanatic, so you should not be surprised that this is either brock’s #1 or #2 record of the year (brock feels weird about trying to pick between this and blonde so soon after their releases when they both feel like generational albums from his two favorite artists). experiencing the live debut at eaux claires was a truly spiritual experience – brock

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a very talented musician i saw open for Local Natives who did everything from vocals to bass guitar to a saxophone solo to a duet of “dark days”, but hasn’t yet turned that talent into particularly captivating or original music.

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tracks 2-5 dragged on for me, but “koopa breeders” snapped out of that funk, and “lacquer” capitalized on the energy of 2-5 without sacrificing a good melody.

“magenta arboretum” was another passover for me, but “roadkill” was a nice subdued song like the first track “bugeyed” or joyce manor’s “do you really wanna not get better”, “i scream at you…” was very solid, and “the big stairs” was a decent closer.

essentially, if this were split into two EP’s, I would really enjoy one and brush over the other. some good tracks, some blah.

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brian pretty much hit the nail on the head with his “critics tell me i should like this band but i’m a critic, too, and i still don’t particularly like this band/10” rating of this album, but i like this particular album of theirs much more than others like content nausea

“a melody abandoned in the key of new york” goes “captive of the sun”, which seems indicative of parquet courts' post-punk as well – melody is abandoned a bit too much for me to enjoy as much as their canadian counterparts, ought, despite the fact that the vocal delivery style is one of the genre’s calling cards (hence me not listening to much post-punk).

but here, vocal melodies poke their heads out more than in past pq projects i’ve listened to – most notably during the last 30 seconds of “paraphrased” – and it’s quite nice. “steady on my mind” is a sneakily gorgeous, plodding track that could almost pass for a modern velvet underground song, “berlin got blurry” is a damn good song about loneliness in a foreign city, i like the vocal dissonance on “it’s gonna happen”, and moments on songs like “human performance” and “already dead (digital only)” are solid despite their oft-grandiose themes. i was pleasantly surprised by this.

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decided to look back over this list while adding to my 2016 list. i don’t remember anything about this record but remember the exact house i was mulching when i was first listening to it lol. music is weird.

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