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Busta addresses Ja Rule’s comment about him (over Nas' “Made You Look” beat) on Loose Change:

They shooting, ah Chris you shook
You got Bus rhyming the same old hook

Busta was really only collateral damage (the main targets were Chris Lighty and Violator) but responded with an entire verse.

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He pronounces “Sealy” like “ceiling” making it a homonym. The bottom is the same as the top, further explored in the next line.

A “Sealy” being a mattress. When trying to keep the poor class at the bottom, they are taught that it will never get any better. Do not pursue success and riches because sleeping on an expensive mattress will not feel any different than the floor. Lupe is continuing from a few lines before with his idea that “they” are trying to keep them in their hoods.

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Refers to the Los Angeles riots in the 40’s. “Zoot suits” were primarily mexican american kids (some were fillipino as well) who openly defied the impliment of cloth limits by the U.S. to reserve more cloth for the war effort. These zoot suits were very large and baggy, so it took a lot of cloth to make. One night, sailors who’s ship had docked in the los angeles port went around the town and accosted some mexican girls. Because of this, a local group of zoot suits fought them and beat the sailors. The next night, hundreds of sailors flooded the streets of L.A looking for any mexican american or even hispanic kid and stripped them of their clothes, which is where the “troops strippin' zoots” lyric comes from. It was not just white sailors however, it was also african american sailors who took part in this, despite the racism geared towards them, many african americans had racism towards hispanics and asians. Even though the sailors were the ones beating all the hispanic and fillipino kids, the zoot suits were the ones being put in jail. It was a very corrupt time.

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Cuauhtémoc was the Aztec ruler from 1520 to 1521. He ascended to the throne when he was 18 years of age, as his city was being besieged by the Spanish and devastated by an epidemic of smallpox brought to the New World by Spanish Invaders. Spanish conquistador Hernan Cortes ordered he be tortured then hanged.

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Subverting the previously repeated line of “Now you do what they told ya”, Zack states his stance of rebellion – a refusal to be controlled and thus a denial of authority.

He chants the same line sixteen times, murmuring for the first four refrains, before building in a crescendo the next four and then angrily screaming it the final eight times.

A few days before “Killing in the Name” became the UK Christmas number 1 in 2009, RATM performed the song on BBC Radio 5 Live. Zack was asked not to swear, but he definitely didn’t do what they told him!

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Written in response to the Rodney King beating, the L.A. Uprising that followed, and the eventual trial, “Killing in the Name” equates the police force with Ku Klux Klan lynch mobs, which have been known for cross burning since the Klan’s second incarnation as a means of intimidation.

While these lines have been interpreted as a metaphorical indictment of racist institutions, they also reflect an undeniable, literal truth. During reconstruction, modern police forces and the Klan emerged side by side to maintain white supremacy in the wake of the Civil War. Southern police were being created from the slave patrols that had terrorized slaves before the end of the war, as the Klan was evolving from a whimsical fraternal organization of Confederate veterans to a network of terrorist vigilante cells targeting freedmen and their allies. The two groups commonly supported each other and shared many members in common.

During the Civil Rights movement, Klansmen infamously worked in concert with Southern law enforcement agencies to suppress desegregation efforts. Even as recently as 2019, “an epidemic of white supremacists in police departments” was documented by the Lewis & Clark Law Review, a matter which the FBI warned of more than a decade ago.

Klansmen marching in support of local police, escorted by officers, in Meriden, Connecticut, in 1981.

When played live, these lyrics have occasionally been changed to:

Some of those that work forces are the same that burn churches
-Woodstock 1999

Some of those that burn crosses are the same that hold office
-Live at the Grand Olympic Auditorium, 2003

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This line is about a plantation slave praying for rain so he doesn’t have to work under the hot sun in cotton feilds.

This whole song can have a more literal translation of a plantation, but the deeper meaning is about America and Capitalism. The significance of the double meaning is that we are slaves to a flawed, unforgiving system.

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The workers try to make the best of their predicament, by “singing” which is a metaphor for distracting themselves with consuming material things and other distractions meant to give people a false sense of true happiness. Not working on Maggies Farm is a metaphor for not participating in what is assessed to be a corrupt and unjust system.

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“Maggie’s Farm” is a song written by Bob Dylan, recorded on January 15, 1965, and released on the album Bringing It All Back Home on March 22 of that year.

A much heavier version is Rage Against the Machine’s interpretation appearing on their 2000 covers album, Renegades. In this version the line “She’s 68 but she says she’s 54” has been changed to “She’s 68 but she says she’s 24”. This is actually a change Dylan made for the electric version of “Maggie’s Farm.”

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Maggie’s Ma is a metaphor for religion.

Religion is excessively old and arguably out of touch, but it still claims its relevance. According to bible enthusiasts the world is much less old than then scientific evidence shows. (Hence the 68 24 line). Religion’s enforcer is “Pa” (i.e. the government). The point being that religion dictates the tone of government in society.

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