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“Final Four 2” sees Reks reprise the concept of the original “Final Four” from 2001: pick eight rappers, paired in groups of two, and have them represent their four hometowns or states. In order of appearance, these are Lawrence, MA, Fresno, CA, Philadelphia, PA and Detroit, MI.

As Reks' home, MI, is the only state to be represented in both songs. Boston native Esoteric rapped alongside Reks in 2001 instead of Ea$y Money, whose earliest known appearance on record is from 2002. Notably, the scratches on “Final Four 2” are performed by 7L, Eso’s long-time partner in rhyme.

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RauryThe Woods Lyrics and Tracklist

  1. Overlove ft. Jaixx, Vivian
  2. Mind
  3. Belong
  4. Belarus ft. Jaixx, Vivian, Adia
  5. NATURAL ft. Corinne Bailey Rae
  6. In Due Time ft. Corinne Bailey Rae, Jaixx
  7. Please Don’t Fuck My Friends
  8. Everything Will Wait
  9. Fountain of Youth
  10. Carnations
  11. UFO
  12. Asstrology ft. Jaixx
  13. Cyanide of Love ft. Adia, Telana
  14. Purple Flowers ft. Mecca
  15. Befo I’m 25
  16. A Million Years
  17. Savannah, GA
  18. HIsstory
  19. Accidents
  20. Wonder
  21. In the Night
  22. Father Time

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Los Angeles is commonly said to home the second largest Mexican community in the world (after Mexico itself). According to Pew Research Center, in 2014, 45% of the Los Angeles area’s residents were Hispanic. 78.5% of the people in this population were Mexican. Reports from the ‘90s claim similar statistics.

The map below depicts the racial distribution in Los Angeles according to the 2010 U.S. Census. Each orange dot represent 25 Hispanic people.
https://en.wikipedia.org/wiki/Demographics_of_Los_Angeles#/media/File:Race_and_ethnicity_2010-Los_Angeles(5560490330).png

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Gibbs' introductory line pays homage to Bay Area rap legend Too $hort and “Freaky Tales”, a classic rap song of his from 1987. The song’s chorus goes:

These are the tales, the freaky tales
These are the tales that I tell so well

Throughout “Freaky Tales”, Too $hort describes sexual encounters he has had with women, similar to Gibbs in “One Eighty Seven”.

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The “alright” vocal sample originates from a 1992 New Orleans bounce record by D.J. Jimi called “Bitches (Reply)”. Female rapper MC E, a relative of Jimi’s, performs the vocals on the song.

The sampling of “Bitches (Reply)” on “Bickenhead” can be attributed to the song “Chickenhead” by Project Pat, which popularized the use of the word “chickenhead” to describe women who perform fellatio.

“Bitches (Reply)” is deeply rooted in the Southern rap scene. Like the title suggests, the song is a response record to another one of Jimi’s songs, “Where They At”, which covers arguably the first ever bounce song.

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“Armand’s European Vacation Mix” is one of three remixes Armand Van Helden made of Faithless' “Insomnia”, a vivid tale of sleep deprivation as told by vocalist Maxi Jazz. Armand’s mixes weren’t created until 1997, two years after “Insomnia” had originally been issued as a single.

The foremost of Van Helden’s other mixes, “Armand’s Mission to Mars Mix”, appeared on single releases of “Insomnia” in 1997 together with the “European Vacation Mix”. The third remix, “Armand’s Unreleased Mix” went, like the title suggests, unreleased until 1999, when it appeared as a b-side on Faithless' “Bring My Family Back”.

In contrast to Faithless' version of “Insomnia”, Armand’s mix is heavier on the drums and bass on every beat, lessening the trance-ness of the song. In addition, the record is also notably faster than the original. Armand’s “Mission to Mars” version is spacier than the “European Vacation Mix”, and instead relies on programmed basslines, while “Armand’s Unreleased Mix” dances the line between the two.

“Armand’s European Vacation Mix” was the most popular of the DJ’s three mixes: it appeared on re-releases of Faithless' 1996 album Reverence—the album the original “Insomnia” appears on—and was edited in length to fit a limited single release. A probable cause for this is that neither of Armand’s other two versions featured Maxi’s rap, only repeated samples of him saying “insomnia” and “I can’t get no sleep”.

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The first line plays on the title of Public Enemy’s classic album It Takes a Nation of Millions to Hold Me Back. Ice Cube was greatly influenced by the group and their producers, and he worked with them in 1989 and 1990 to create his debut album, AmeriKKKa’s Most Wanted. In 2008, Cube would repurpose the album’s title for a song, while Common would call himself “The reincarnation of It Takes a Nation…” in 2016.

“Mouth shots” are punches aimed at one’s face. Ralph is presumed to be Common’s stepfather Ralph, who was a plumber. In his biography One Day It’ll All Make Sense, Common said of him:

Ralph was a hardworking man and he never tried to take on the role of my father. I already had a father, after all. But he was a male presence in my daily life, and that mattered. Ralph was the man who worked hard every day as a plumber and came home at night in time for dinner. He enjoyed his football and a cold beer. He believed in churchgoing, discipline, and education. Beyond that, I never really got to know him as a man until I was a man myself.

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In 1992, Ice Cube released his The Predator single “Wicked”. The song’s accompanying video features appearances from singer Anthony Kiedis and bassist Flea of the funk-rock band Red Hot Chili Peppers, which contrasts the militant black nationalism Ice Cube professed in his music.

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“Tate” is short for “annotation” or “annotate.”

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Rapper MC Hammer was at the forefront of hip-hop in 1991 when “Check the Rhime” was released. He had just achieved massive crossover success with his album Please Hammer, Don’t Hurt ‘Em and its lead single “U Can’t Touch This” the year before.

The new-found fame led to MC Hammer’s casting in multiple TV commercials, including those for KFC and Pepsi, the contents of which Q-Tip based his lyrics on. In the former, Hammer proclaimed “Now that’s pop” after catching and eating a piece of KFC’s popcorn chicken, while the latter saw him professing “Proper!” atop a stage after his mojo returned when a fan offered him a drink of Pepsi.

Q-Tip’s lines are a depiction of the vast differences between hip hop and pop culture that once existed. While Tribe’s contemporaries like Redman, 3rd Bass, and RBL Posse were quick to take potshots at the crossover sensation, Tip has stated he was actually defending Hammer’s position in hip hop:

At the time people were calling hip hop music pop music and I was saying Hammer was a hip hop artist, he’s not pop. ‘Rap is not pop, if you call it that then stop’.

Regardless, Hammer didn’t take kindly to Tip’s lyrics on “Check the Rhime” and dissed the Tribe member when he acknowledged all the (assumed to be) cynics in the 1994 song “Break ‘Em Off Somethin’ Proper”. On the record, Hammer specifically rapped, “A Tribe Called Quest is a bad investment”, “Q-Tip couldn’t flow if he was a river” and that he was “gonna put [Q-Tip] on a hoe stroll”. Tip responded with 1996’s “Keeping It Moving”, Tribe’s neutrality statement amidst the East Coast–West Coast conflict, and he’s since explained the rivalry has been resolved.

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