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Clarence “13X” Smith, founder of the Nation of Gods and Earths, was institutionalized at Bellevue Hospital in 1965. Jay Elec, like Nas, the members of Wu-Tang, etc., is a confirmed five-percenter

Clarence 13X got arrested in 1965 just after Malcolm X’s death for vandalizing nearby buildings and blocking the street near the former headquarters of Muslim Mosque. He was visiting the Mosque No. 7 and when the cops told him to leave, him and several five percenters got agitated. When charged in a court he told the judge he was “Allah” and that the city would face judgment if he wasn’t released. The judge not being too pleased at that comment sent him to a psychiatric examination at the “Bellevue” Hospital Center.

Jay in essence is just trying to channel the thoughts through his music that provoked Clarence 13X calling himself “Allah”. Which is basically what being a five percenter is all about.

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Here, Smith takes one parting shot at God. He confesses to being an empiricist – he can’t believe in something unless he has evidence for it.

God doesn’t seem to have “heard” Smith’s prayer in the chorus. This makes it harder again for Smith.

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Hes now a changed man but that doesn’t necessarily change his fate. This lines could also be referring to the aftermath of his death and how his story/mistakes have become a guild-line for others (friends/family) “we’ve all been changed by what we know, our broken hearts left smashed on the floor”.

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He makes a quick U-turn from the previous line (and most of the song) to blame God for his misfortune. “How can we wear our smiles with our mouth wide shut” is a shot at God’s all powerful nature. Even if he erred here and there he feels God could’ve easily changed his fate nut ultimately.

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The singer is pleading for “someone” to turn him around, to put him back on track. But he knows deep down that no other person is capable of doing this for him. We have to change ourselves, find the courage to change what we cannot accept. This is far easier said than done. Like the “smokers outside the hospital doors” we are faced with the logical consequences of our actions, habits, and behaviours time and time again. Tragically we all too often fail to see the light, hence why the “smokers outside the hospital doors” are the saddest thing he’d ever seen. Our persistent failure to enact change in ourselves is one of the great tragedies of human experience. Destined to play out over and over again.

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The reason why smokers outside a hospital can be seen as sad because it implies a loved one of theirs has died or is approaching death and they have left the hospital to relieve their stress and pain with a cigarette. Also, the act of people smoking (something that will potentially give you an illness later in life) in a place (hospital) that tries to cure you off illness, is both sad and ironic.

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Death beckons, so he gathers family/friends to bid his last farewell.

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The video of this song goes hand in hand with the overall theme which according to its directors, Siggi Kinski and Stefán Árni was based the video on a bad childhood experience of a hospital.

The irony prevalent in the title also follows through in the first few lines. These lines paint a picture of someone whose sight is gone thanks to some sort of illness (possibly on his/her death bed too). This illness also would most likely have been ignorantly self inflicted hence why the said person has to pull a “blindfold” down.

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“I Follow Rivers” is about the unstoppable potency of wanting someone, expressed through the depths of bodies of water. In a 2011 interview with Lifelounge, Swedish singer and songwriter Lykke Li stated:

[‘I Follow Rivers’] is about desire. It’s about desire being a nature force that is pulling you in to situations, and when you almost have no voice.

It was the second single from her sophomore album Wounded Rhymes, produced by Björn Yttling.

“The Magician Remix” of this song was used in the 2013 film Blue is the Warmest Color.

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This song has that conscious theme that is now synonymous with Nneka’s music. It addresses the issue of politicians making promises they can’t keep, something that’s quite dominant in the politics of modern day Nigeria.

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