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Another seemingly simple, yet very deep line. Two opposing attitudes are at work in each line, yet both fit together perfectly with the overarching theme of the song: love, simple happiness.

On the one hand, the speaker can’t wait till the morning. There is an implication of torment, as he counts the minutes before morning comes and he sees his lover.

But he also wouldn’t change anything. Because, while waiting to see the person you love is difficult, even torturous, at the same time it is special, perhaps one of the most precious parts of life.

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“They” could be either friends or lovers here, but either way they are together in the strawberry swing. A symbol of innocence, love, youth, and simple happiness.

This also sets up the tone of the song as a reminiscence of two friends, giving the lyrics a nostalgic tone which contrasts the upbeat tempo and instrumentation.

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There’s an interesting pair of readings here.

The first is: “I’m just not there in the streets.” The second is: “I’m just not there. In the streets.” The first reading suggests that Kanye wants to be in the streets, while the second suggests that he’s not at his “destination” yet and is stuck in the streets. The nature of the song suggests that Ye probably means both of these readings. He’s just as much unsure of which he wants as we are.

The streets, then, represent Ye’s path in life. It is unclear if he means he’s not there as a person or he hasn’t achieved the goals he wants yet.

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The street lights take on a slightly new meaning now. Kanye has passed many of them already, but he wants more, because he hasn’t reached his destination yet. So he hops in the cab again, pays his fare and hopes he gets there. The repetition here is important as much of the song deals with the repetitiveness of his ambition.

“Paying his fare” symbolizes the endless hours of work he has put in to get to where he is now. Nevertheless, he knows there is still a lot more hard work to come.

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Jay-Z has often spoken of how, growing up in the ghetto, there was no one to look up to who had achieved material success. There were no doctors or lawyers living in Marcy or Bed-Stuy. This is largely because most of the successful people that did make it out never returned. This is something that profoundly affected Jay, so much so that he vowed never to abandon his community.

“Bougie” is short for “bourgeois,” which means “middle class.” “Bougie” is usually used somewhat derogatively toward people who try to act really high class.

So, when the “bougie broad” tries to get Jay to take his du-rag off, her actions actually represent a lot more, i.e. abandoning his roots as an impoverished kid from Marcy Projects. This is something Jay won’t tolerate, so he ditches her.

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A clever play on words with two interpretations:

1) Money make the world go around so I made some to spin“.

On this reading, Hov is making money so he can live, i.e. the work can keep spinning. (He even alludes to this in the next line. In addition, drugs/alcohol often have a spinning effect, both literally in that they make your head spin and metaphorically in that addiction can cause your life to spin out of control.

2) Money make the world go around so I made some to spend.

This is the more basic reading. Hov wants money to spend to keep the world running. Because if you don’t have cash, you can’t live (another reference to the next line and the track “Can I Live”

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“Strawberry Swing” is the penultimate track on Viva La Vida. It was almost left off the album, but Chris Martin was adamant that the track should be included.

The track plays with the image of a ‘strawberry’ swing, an idealistic swing which is perfect only in the company of loved ones.

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Contrary to what one might think, Kendrick does not employ double entendre here (as he refers to a couple lines later), but rather an obscure figure of speech called syllepsis. The word “come” here is used in two different senses but applied to the same word “up.” The first “come up” refers to coming up to success, while the second one refers to it happening unexpectedly.

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The circumstances of Jay-Z’s upbringing, his time as a coke dealer, have provided him with a unique juxtaposition of suffering and success.

Because of this, he’s going to “demolish” other crews, other fields. Pretty soon you’ll be hearing/seeing him everywhere.

Jay also uses some wordplay with do as a verb, due as an adjective, and due as a noun.

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Remember: nice guys finish last.

Also, hip-hop has a long and infamous history of misogyny, which women have shockingly accepted, even glorified by idolizing the very rappers who objectified them. Cudi muses that maybe if he uttered these same offensive lines, he might be more popular with both male and female audiences.

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