Ab-Soul is never lacking with the wordplay!

It sounds as if he’s addressing someone saying “I’ve never lost, G [and] P.S. get lost”, however, there’s a bit of wordplay here in regards to putting the G with PS (GPS, Global Positioning System) and “get lost” referring back to GPS.

Only Ab could come up with this stuff!

This line was taken from the first line of the Tha Dogg Pound song Let’s Play House:

Young Daz struck a match and the match went out

This shouldn’t come as a surprise seeing how much The Game references Death Row & its affiliates throughout this project.

This line refers to Kendrick’s belief in black nationalism​ and his belief that the Son of God (Jesus Christ) is indeed a black man.

Here, Gimmie represents an individual who’s always asking for hand-outs, always leeching off of someone’s success/wealth, and never takes responsibility for themselves.

As a result of his newfound fame and success, YG is noticing that his friends and acquaintances are turning into Gimmie and feel as though they are entitled to something – so much so that YG’s had enough of those always coming to him that he’s decided to take matters into his own hands and shoot them.

It’s this type of “gimme” behavior that has also led YG to not trusting his inner circle which only fuels the paranoia he’s experiencing made evident on songs such as Still Brazy.

Slim 400 is not only a frequent collaborator of YG’s but he’s dropped some songs that heavily represent and describe that Compton lifestyle such as “In My Hood” and “Bompton City G’s”. His name even alludes to the fact that he breathes and dies Compton (referring to the 400 neighborhood block).

Because of that, it’s safe to conclude that if you’ve never heard of him, you’re more than likely not associated with Compton.

It’s true – you can see Hitta J3 (along with Lil' L) interacting with Kendrick Lamar in this Noisey documentary.

In fact, you can see J3 on the cover of Kendrick’s album To Pimp a Butterfly!

(pictured in the front with the bottle)