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Oscar Wilde’s (the man he mentioned at the very beginning) entire life was a satire. Wilde is a man whose whole life was purposefully satirical. This gave him a consistent ironic advantage above everybody. From when he initally immigrated to England and intended on establishing himself in the role of the typical “English gentleman,” even though he was Irish, homosexual and not born into the affluent lifestyle so many gentlemen possessed, his life was an entirely tongue-in-cheek decision to be someone with a “big nose who knows”, the whole time writing stuff which showed you could never know everything nor be correct indisputably.

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The famous misspelling of “cemetry” in the title may be a typical Moz mistake, or something he did because he wanted the word to be three syllables instead of four.

No doubt the paradoxical words “dreaded” and “sunny” were paired together for tongue-in-cheek purposes and as small lyrical cheek jabbings at the critics/public that dubbed him miserable all the time. A lot of Morrissey’s songs contain undermining sarcasm.

This song could also be Morrissey’s scathing critique of the whole movement of romantic poetry which is often so melodramatic and depressing at its core. I think this song is a great example of Morrissey putting himself in the position of a satirist. On the one hand he makes light of the melancholic sentamentality of poets like Keats and Yeats but is ultimately rooted in this tradition of melancholy.

Ultimately it seems to be exclaiming that simply because you are ironic and humorous doesn’t necessarily mean you will win, and you certainly don’t necessarily know more (like his companion later in the song).

John Keats (1795-1821) is buried in the Cemitero Acattolico, also known as the “Protestant Cemetery,” in Rome, Italy; William Butler Yeats (1865-1939) was interred at the graveyard of St. Columba’s Church, a few kilometers north of Sligo, Ireland; Oscar Wilde (1854-1900) rests in Père Lachaise Cemetery, Paris, France.

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Bit of smart wordplay there gravely/cemetery. In a graveyard gravely reading stones, which leads up the next few lines and Morrissey’s passionate, melancholic outburst.

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A caustic story of literary plagiarism oddly enough unfolds into one of Morrissey’s largest ever lyrical borrows (a bit hypocritical if you ask me): the “All those people… I want to cry” section is ripped entirely from the film “The Man Who Came To Dinner”, which is also the source of Morrissey alias Sheridan Whitehead.

Alternatively, instead of being simply hypocritical, Morrissey is doing this to be ironic, suggesting that it is impossible to be entirely original in a world where everything has already been said.

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These words Morrissey has apparently heard a hundred times (maybe less, maybe more) originate from Shakespeare’s Richard III).

Having heard a Shakespeare play “a hundred times” would be quite a feat, and something just about anyone would find impressive. Moz brags about it but then backtracks, saying “maybe less or maybe more” than a hundred. I think we can safely assume he’s being a dick (like he is) and the number is considerably less than one hundred!

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It’s well established amongst Smiths fans that Morrissey was heavily influenced by Oscar Wilde, this wordplay title backing that up.

This was originally going to feature Morrissey’s vocals but he declined, claiming the instrumental was better off and strong enough on its own.

However, it’s debated whether or not this title is taken from “From Reverence to Rape”: “…films like ‘Mr Skeffington’ [which] oscillate wildley in mood” or whether it’s actually a play on his name.

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Ducats is slang for money since it was a medieval currency.

Some suspect the choice of “ducats” juxtaposed with Rawkus here has to do with the fact that Duck Down and Rawkus were two record labels Em was vying to be signed by at the time. It’s like he’s saying, “Hey Duck Down, people are going to pay to listen to me on Rawkus if you don’t sign me.”

Rawkus Records was the label that put out this compilation. Em’s fictional uber-fan Stan would reference this fact:

I liked the shit you did with Rawkus too
That shit was phat

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Angel Haze is using a simile to describe how fast her recognition and reputation is growing. Gag reflexes happen quite quickly.

A gag reflex is just an instinctual reaction your body has to something it shouldn’t or can’t swallow (or think it can’t). For example, if you’re drinking something too fast, or try to swallow something too large, it may produce gagging – and gagging is just an involuntary reaction which your body tries to clear obstructions to the throat with heaving or even vomiting.

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From the line of King Philips war all the way thru this point he is referencing how whites then justified the treatment of blacks. and the Aryan blues comment is about how slavery had changed course from taking white POWs to just flat out invading lands and taking away people and how it was justified because it stopped taking whites.

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No one chooses to be incarcerated. It’s something you follow against your will.. so it seems Possessed is either alluding to his name because it’s generally accepted that his skills are unreal or it could also be an allusion to the growing demand he has from fans (he hasn’t released a single song since 2010).

This is an example of why he belongs in a mic booth:

http://www.youtube.com/watch?v=kyXg5xP4IlQ

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