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The lead single off his Cooley Hi mixtape, newcomer Joe Cool drops this laid back gem about the struggle of doing what you love for a living while resisting the temptation to make money the wrong way

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What is this?

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As the opener off N.E.R.D’s debut In Search Of…, the group starts things off with a fierce rap rock track. The song features a hook performed by Vita and verses from Pharrell and Lee Harvey.

“Lapdance” is arguably the most popular song by N.E.R.D. It has been used in various trailers, games and movies.

“Lapdance” can easily be misunderstood if you don’t pay attention to some crucial lines. While the song might seem like it’s a sexual song about strippers the song is quite political. Pharrell compares the lies of a stripper, who promises free lapdances, to that of a politician and the government. The song is about how all the corruption and lies incites violence.

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An ode to all the hustlers out there stealing candy from children (get it how you get it, playboy!)

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Cons bites one of Q-Tip’s most often repeated lines from A Tribe Called Quest’s “Sucka Nigga”

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Royce has long hailed Eminem as the best lyricist in the game (even when they had beef over the actions of D12), and he has no problem being the adviser to the king

Note the two uses of the word “deal” in this line and the last. The first refers to a record deal, while the second means “cope”

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Digging through the feces and urine-covered rap clichés once again

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One of the most underrated songs of the early ‘90s, Common and Ynot exchange verbal blows about the merits of wealth. Despite his producer credits, Ynot absolutely kills his verses as both deliver lines filled with pop culture references that make this a “must-explain” for RapGenius™.

Producer and featured artist Twilite Tone a.k.a. Ynot provided some background information about the track:

Some people thought I was a little too hype on ‘Can I Bust,’ so I really wanted people to hear what I was saying this time around. I wanted people to also feel my production and see a perfect balance between the two. I didn’t let Rashid hear my rhymes before he recorded, because I didn’t want him to be influenced by what I was going to do. All I asked him was, ‘What’s the last word you’re coming with?’ so I could kick off my verse.

The beat was also ahead of its time. I didn’t even have hi-hats going on. It was straight kick and drums. The way I was doing snatches—nobody was doing snatch-outs like that back then. It took almost 10 years for other people to do that. I was very adamant about pushing the envelope of hip-hop—I was almost too serious about it.

[A&R] Peter Kang and them wanted to make this record a single. They wanted to shoot a video and everything. I don’t know what happened, but it never ended up happening.

This song samples the beginning section of “Cross Country” by Archie Whitewater.

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Chiddy reflects on the fleeting nature of fame and fortune over a chipmunk soul sample of Sufjan Stevens' “Chicago”.

The song was originally released on their debut mixtape The Swelly Express, and was rereleased on their major-label debut EP The Preview.

Left is the mixtape version; the EP version starts off with a hook as intro before Chiddy’s first verse.

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Cole claims to be the reason other rappers get record deals–by imitating his flow. This is a pretty big stretch, considering Cole had yet to release an LP at this point (his mixtapes were ballin', though!).

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Many rappers (most notably, Lil Wayne) can’t pass up on a good feces metaphor. J Cole finds these to be childish, and pokes fun at the meme

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