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Lupe’s real name, Wasulu Muhammad Jaco (meaning “Warrior”), was given to him by his father. He adds this after the “loop” line since that is how a lot of people pronounce his name when they first see it.

This is his memorial; Lupe’s father died of type II diabetes during the making of The Cool.

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Lupe references Chess Records since that was the label robbing Little Richard. Lupe compares himself to Jerry “The King” Lawler, a professional wrestler known for his arrogant, cocky persona and his outlandish ring attire

Out of the ring, Lawler’s dealt with some legal trouble, divorcing three wives, running over a policeman’s foot and being falsely accused of statutory rape

Lupe, I get that you feel like a black sheep, but try to stay out of the legal system, bro!

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A reference to Little Walter, a blues singer who was associated with Chess Records, but left when it was discovered that the owners were allegedly stealing funds from their recording artists

The line reminds us of Lupe’s problems with his record label, Atlantic Records, in releasing Lupe’s third album LASERS

While RapGenius™ loves vacations, come on, Atlantic! We need stuff to explain!

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As he has in the past, Lupe likes to equate his delivery (“flow”) to that of running water

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Powerful religious imagery punctuates the line; hymns are generally songs of prayer, and “alter” is a homophone with “altar”

Lupe’s flow in this song is noticeably different from previous efforts (see “Sunshine” for comparison)

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In the street single (bonus track) to his third album LASERS, Lupe Fiasco re-introduces himself to the rap game with a hook from frequent collaborator Matthew Santos

The song takes its hypnotizing riff from Coldplay’s “Clocks”

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This is an allusion to the Tin Man of Wizard of Oz fame, who always wanted a heart… Lupe is saying he has always had heart.

(personally, I’d prefer some brain..)

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Lupe here seems to be making an allusion to the Biblical stories of the Ten Plagues of Egypt (one of which was a locust swarm) as well as Moses' Parting of the Red Sea (“oceans on the rise”). Lupe is a Muslim – but this story is in the Qur'an as well.

The second line “But I’m warmin' up, oceans is on the rise”, also is a reference to the growing problem of global warming. Also, he has many times in the past referred to his flows as rising water (Dumb it Down). So he’s also just getting started in this song, about to let it go. He’s carrying on from the previous line. “Cruise” was a play on words from what he intended you to hear which was “crows,” a sign of bad things coming.

He also says “rides” like “rites”, strengthening the religious references.

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The third single for Lupe Fiasco’s fourth album, The Great American Rap Album: Food & Liquor II, is a densely-packed tour-de-force from the RapGenius™ King of Lyrical Trickiness. It sits on the album as the sole bonus track.

The radio single features dark production from 1500 or Nothin'.

The theme of the song is Lupe as a conscious rapper (fully awake) wants his non-lyrical “competition” to go to sleep.

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Armaggedon is a day of doom where as crows (who are oftentimes used as symbols of death) will be falling from the sky, etc. Lupe’s flow is like Armaggedon as no one survives.

Also notice he pronounces “crows” like “Cruise”.

In the Tom Cruise film Vanilla Sky, Tom undergoes major changes after a car accident. Lu’s verses are similarly life-altering.

He is also talking about Top Gun. He might smite Cruise with a lightning bolt for the sky, much like his flow does to the crows.

Dope. His use of the word ‘Cruise’ also ties into the next few lines.

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