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The “thunder” and “storm” may represent the pain of deception and infidelity in families and especially marriages—that personal narrative is the driving force of Lemonade. Here, the storm and thunder also represent the cloud of racial oppression that has hung over African Americans since times of slavery.

In the last few years, that conversation has been re-awakened by the high profile deaths of Mike Brown, Tamir Rice and Eric Garner at the hands of police. These were some of the cases which sparked the Black Lives Matter movement, which has given new momentum to the quest for racial justice.

Beyoncé has supported the Black Lives Matter movement since its inception. Her unapologetically black Superbowl performance—complete with dancers in Black Panther berets performing black power salutes—led to right-wing commentary labelling her as “racist” and “anti-cop.”

Seems Queen Bey is doing more than “trying” to rain on the bigots' parade, she’s succeeding.

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Sometimes it’s easier to put aside or hide problems, rather than face them head on, especially when you’re feeling weak.

When someone has been injured, they put their best leg forward to offer the sturdiest foundation. In this case, Beyoncé and Jay Z’s “best foot” is the love that they have nurtured for so long, a love that produced a beautiful daughter.

Despite any potential animosity that may exist in the relationship, it’s time to communicate and to let go of the barriers. Bey and Jay’s love is something worth fighting for, and now it’s time to work through the issues. They must face their problems before they can overcome and move forward.

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Marriage is a team sport—making mistakes hurts everyone involved, not just the individual. Being aired out as a disloyal partner may stir the very same feelings of shame and guilt as getting cheated on. Similarly, when feelings of compassion and affection are shared between both parties, each individual reaps the benefits.

These lines also echoe Dr. Dre in “Fuck wit Dre Day (And Everybody’s Celebratin')”:

Cause when you diss Dre, you diss yourself

On the repeated hook, Bey alludes to a famous Prince quote from his 1998 interview with Tavis Smiley.

I can’t be played, a person trying to play me, plays themselves.

DJ Khaled, who joins her on the Formation Tour, frequently uses the phrase on Snapchat.

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Beyoncé describes the paranoia of going through her man’s phone looking for evidence of other women. She’s searching both for confirmation that he’s cheating and an explanation why he would. Coming up empty handed, she questions her own sanity. She never thought she would act like this for any man, but here she is.

At this point, she’s not going to sit quiet while the love of her life is being stolen from her—she’s ready to “fuck up a bitch.”

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A popular way to rate something is out of 5 stars, 5/5 being the top tier ranking. Beyoncé feels like while she brought everything she had to the relationship, her man wasted the opportunity.

Rolling Stone Magazine rated LEMONADE 5/5 stars. A rarity for the publication.

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“Don’t Hurt Yourself” is an empowering, guitar-thrashing black woman’s anthem that continues the cheating motif from the previous song “HOLD UP.”

On the Jack White assisted hook, Beyoncé drops allusions to Jay-Z cheating on her, referencing Dr. Dre’s famous “Cause when you diss Dre, you diss yourself” line from “Fuck Wit Dre Day (And Everybody’s Celebratin').”

The song samples the Led Zeppelin’s 1971 song “When the Levee Breaks,” which was originally a 1929 blues record by Kansas Joe McCoy and Memphis Minnie about the Great Mississippi Flood of 1927. The Led Zeppelin song concerns the accumulation of rain which will cause the levee to eventually break due to the stress of the water. Similarly, “Don’t Hurt Yourself” is arguably the peak point of Beyoncé’s anger regarding relationship infidelity on LEMONADE, and she warns inside it that her own levee of tolerance is going to break if the cheating continues.

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“Blind running” in a physical sense refers to running a trail or path you’ve never experienced or seen before, one in which you’re unsure of the destination.

This could be an admission of guilt from Beyoncé, who may feel like she hasn’t done enough in the past to be vocal about issues affecting black women. While she focused on her career with her last album Beyoncé, she’s ready to take up the fight on LEMONADE. As a mother, she’s realised she has a bigger duty to protect her black child, just like the mothers of Trayvon Martin, Michael Brown, and Eric Garner who appear in the music video.

Collaborator and model Winnie Harlow told W Magazine said:

Of the conversation shared, Harlow said: ‘I wanted to thank her for acknowledging me as a strong black woman and uplifting and continuing to empower us all. That made her so happy.’ Harlow added: ‘She said that’s exactly what she wanted to do and feels even more responsible now that she has Blue.

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This is a reference to the 19th century Negro spiritual “Wade in the Water.” Although the song relates to the Israelites escaping Egypt in Exodus: 14, it is associated with the Underground Railroad and was believed to be part of coded instructions to find the way to freedom in the North or South of southern slave states:

Wade in the water.
Wade in the water, children.
God’s gonna trouble the water

The book Pathways to Freedom: Maryland & the Underground Railroad, explains how Harriet Tubman escaped enslavers by getting into the water so that her scent couldn’t be picked up by tracking dogs.

Beyoncé will not only wade into the shallow waters but she’ll wave through them, moving easily like a wave through the water.

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America stole from Kendrick’s ancestors through the use of slave labour, and then lied to their descendants (like Kendrick) with the promise of equal access to the American dream.

In March 2016, it was revealed a former Nixon domestic policy adviser admitted to Harper’s Bazaar (then Harper’s Magazine) in 1994 that the war on drugs was really a war on African American communities:

You want to know what this was really all about? The Nixon campaign in 1968, and the Nixon White House after that, had two enemies: the antiwar left and black people. You understand what I’m saying?

We knew we couldn’t make it illegal to be either against the war or black, but by getting the public to associate the hippies with marijuana and blacks with heroin, and then criminalizing both heavily, we could disrupt those communities. We could arrest their leaders, raid their homes, break up their meetings, and vilify them night after night on the evening news. Did we know we were lying about the drugs? Of course we did.

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Before Jay Z was one of the most famous rappers of all time, he was a drug dealer in New York.

He told Vanity Fair in 2013:

To be in a drug deal, you need to know what you can spend, what you need to re-up. Or if you want to start some sort of barbershop or car wash—those were the businesses back then. Things you can get in easily to get out of [that] life. At some point, you have to have an exit strategy, because your window is very small; you’re going to get locked up or you’re going to die.

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