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This track serves as an interlude and intro to “Ronald Reagan Era.” The skit that served as the introduction to “Fuck Your Ethnicity” continues here and picks up once more on “Chapter Ten.”

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A bad client killed her and left her body in the street. The line “and caught a knife inside the bladder, left her dead, raped in the street” comes so abruptly. Kendrick goes through her whole “prostitute life” with details and time, only to finish Keisha’s story (and her life) with a one line ending. This emphasizes how life is long and time-consuming, while death happens abruptly and without warning.

Brenda’s Got A Baby,” by Tupac, ends in a similar fashion:

Prostitute, found slain, and Brenda’s her name
She got a baby…

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Dom can persuade fine females to get in their skimpy bikinis, and hop in the hot tub.

And he probably fucked yo bitch nigga!

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Her body is her temple. Her temple is being destroyed because she’s selling her body for sex.

This line is based directly out of 1st Corinthians 3:16 in the Bible:

Know ye not that ye are the temple of God, and the spirit of God dwelleth in you?

“Temple” can also refer to her head, so after first experiencing prostitution she’ll be traumatized psychologically by the predicament she is in.

(spoiler-alert)

This also foreshadows her death that occurs later in the song.

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Kendrick recorded this song for his little sister, instructing her—through a narrative tragedy—to never become a prostitute.

The parenthetical insert “(Her Pain)” is present because it communicates the idea of the pain women go through who have to resort to prostitution. NOTICE that this affliction isn’t a vice, or “evil” like in “Tammy’s Song (Her Evils)”—this is true pain from having to survive.

He is indeed telling her not to become a prostitute through vivid imagery, but it is in an effort to help develop her understanding of why women do such things. He is NOT demonizing prostitutes; he is merely pointing out that it is a profession that damages people. He wants his sister to see the woman behind every whore.

This track is recalled in Kendrick’s opus that followed Section.80GKMC. In verse 2 of “Sing About Me,” he takes on the perspective of Keisha’s sister who admonishes him:

How could you ever just put her on blast and shit Judging her past and shit–well it’s completely my future…
A nigga behind me right now, askin' for ass and shit…

TDE President, Punch, explained in an interview with Complex that this song was originally for GKMC:

Even ‘Keisha (sic) Song’ was initially for good kid, m.A.A.d. city, but it was from a different point of view.

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Heels always make woman look more beautiful.

Sean takes expensive trips to high places. Maybe somewhere in the Hollywood hills.

When he says, “trip so we’re on high hills” he could also be referring to the high he gets from being under the influence of any number of drugs.

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Wiz had to read the rest of the verse from his phone.

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Infomercials are televised, and some include weight loss products that supposedly make you look skinnier.

This appears to be a reference to the Playtex bra ad that promised to make you “look five pounds thinner.” https://www.youtube.com/watch?v=898R19PXkuA&index=20&list=PLXnz7t1_Q2a-PVAMT6fTwZF77r3C3KvXA

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Another one of the great black civil rights activists of the Civil Rights Movement was Malcolm X, a Muslim minister and human rights activist who hoped to spur within the black community independence, self-defense, intellectual freedom, and other tools to encourage the healthy development of a black culture and intellectual life.

Kendrick’s dad was also affiliated with a black power gang in Chicago, and his family moved to Compton in an attempt to escape this influence. So Malcolm X “hexed” Kendrick’s future by inspiring the movement that eventually landed him in Compton.

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Lauryn hasn’t released an album in a long time. The music industry might be what caused her self-imposed hiatus. The fact that so many would give anything to be in their position and in fact are happy when they fail is a sick thought that has drove many stars and leaders crazy and suicidal. They just want to get out of the whole vicious fame cycle and expectations of perfection.

In Lauryn’s letter to her fans addressing her tax evasion case, she talks about her leave of absence. She left the public eye to raise her family in a quality environment and maintain her integrity as an artist which was constantly threatened and pressured to make music for the wrong reasons. Record industries and the groups that fund them and control media use public figures to promote and glorify sinful and dangerous lifestyles because of their influence on those who idolize them and their music.

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