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This is a likely allusion to “Stop the Violence” by Boogie Down Productions:

Real bad boys move in silence

Criminals (i.e. “bad boys”) don’t announce everything they do or plan to do. Everyone will find out after it’s happened. When it’s too late to stop it. Biggie is likening his label’s reputation to “real bad boys.”

Biggie was originally signed to Uptown records but after Puff Daddy (an assistant at the time) left Uptown to start his own label, Bad Boy Entertainment, Biggie moved with him.

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The beat is courtesy of Kanye’s mentor No I.D. It’s a interpolated line from Kanye’s track, “Big Brother

No I.D. explains the creation of the song more in-depth here:
http://www.youtube.com/watch?v=CgMglv3eYcg

No I.D. also told New York Times that Jay-Z wrote “D.O.A.” in a little under a day following a jokey conversation between the producers and Jay about “Crank Dat” by Soulja Boy Tell ‘Em

The line is a double entendre, as Jay-Z, rather unusually, doesn’t say his own name anywhere in the song.

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A lot of rappers brag about not writing their lyrics (with a pen) before rapping in the studio. Like Lil Wayne in “A Milli”

Jay-Z, actually spits his shit off the top of the head. Some other rappers do the same. It has been highly publicized that he does not traditionally write down rhymes before he might step into the booth

Sidenote: Producer No I.D. said in an interview that upon hearing the beat in a studio session with Jay-Z, Kanye West came up with this hook which would explain the next lines similarity to “Big Brother.”

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The remark refers more generally to what Jay-Z perceives as a trend toward “softness” in rap, as in addition to using auto-tune, he’s accusing rappers of rocking the tight pants and brightly colored T-shirts and trying to appeal to this demographic that has become ubiquitous in yuppie neighborhoods including Harlem and much of Brooklyn.

Possibly also a reference to “blipster” fashion (Kanye, our blipster-in-chief, was of course a key collaborator on this track)

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Not the Weezy (Lil Wayne) of the softer crossover hits (“Lollipop”, for example), but the true thug Weezy of his direct-to-the-street mixtapes

Later, Weezy playfully sampled this line on his version of D.O.A., off his No Ceilings mixtape

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Talking about the politics of the rap game and may be a reference to Kanye West, Jay-Z’s friend/producer/collaborator, whom Jay does not call out in this song, despite his being one of the more egregious Auto-Tune abusers

After the song was released, Jay decided to go out of his way to say he’s not talking about people like Kanye, who understand melodies, but he’s only taking on the bad rappers doing auto-tune (reminds me of Bush’s speech about how we are not at war with all Muslims, but only certain Muslim extremists). Jay-Z helped President Obama get elected tremendously. He is saying this might offend his political connection because it’s not ‘politically correct.’

Also, Jay-Z has friends in government politics (not just rap-drama politics), and while it’s hard to see why this song would offend any politicians, he can back up saying that he has “political connects”.

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“T-Paining” = singing like T-Pain, a rapper/singer who is synonymous with auto-tune

“Not T-Paining” just seems like common sense, cf. T-Paine

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BMF = Black Mafia Family, the Detroit-based drug trafficking organization that promoted Young Jeezy, among other hip-hop artists

16 members of the Atlanta wing of BMF were indicted in 2007, which has led some observers of that investigation to associate BMF with snitching. This leads to a double meaning of “talk on this” as rapping on the song as well as talking to investigators

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More big ups to Biggie, who frequently wore and referred to wearing Versace sunglasses: “I’m clockin' ya, Versace shades watchin' ya”

allgoodbabybaby

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