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in its entirety.
slowed down a lil,
pitched down a lot.

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i’d be remiss if i never revamped
the quintessential hip-hop broadway flip
see also:

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wrote the second half of this
(starting around ‘hold fast’)
apprehensively waiting to unveil
the results of my university’s
student government elections.

the poll results were announced
by the elections coordinator onstage
with the elections committee behind her
meant to stand stonefaced while
a contentious final tally was revealed,
eliciting an achingly wide variety of emotions
from the candidates in attendance.

left without speaking to anyone,
drove straight home, recorded this.

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some loop i saved years ago.
didn’t keep track of the sample.
gut says that it’s some novelty record
about politics and government.

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first made this beat in 2021.
mainly inspired by this article,
my original intent was to write
a themed verse, centering around
toxic masculinity in nerd culture,
a dressing down of the identity
i had embraced for over a decade
without once considering its dark side.

my research into the subject
brought me to the geek feminism wiki,
and their far too long timeline of incidents.
i set a goal for myself to read
every page listed, top to bottom,
saving certain concepts along the way
that felt fitting to compile into a song.
i got about halfway before
life drew me elsewhere.

fast forward to 2023.
used the beat for a random verse
with no ties to the original theme
other than the title.
but that acknowledgement of my masculinity
and its toxic potential has stayed with me,
and informs my thoughts, words, and actions
everpresently, especially around women.

one find on that incident list
was the disturbing video below
that i sampled for a chant.
worth repeating: that scream you hear
is a woman being sexually harassed.

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that small bit, looped
plus:

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