What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

Off 2013’s The Garden.

The strum and twist of “Light Me Up” marries the euphoric rush of classic Springsteen with the attitude of Chrissie Hynde, and wraps it all up in a melody that Brill Building songsmiths would be proud of"

-Depth of Field Magazine

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

This song was released on a ‘Timeflies Tuesday’.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

The anthemic second single off The Shondes‘ fourth album The Garden tackles depression.

http://www.youtube.com/watch?v=a2nGVIc1GlA&feature=youtu.be

Singer/bassist Louisa Solomon says:

“I wrote this song thinking about what it feels like to care very deeply for people suffering from depression, trying to support them, and honestly experiencing frustration at times, wishing so badly that I could break through the contained, hopeless space they feel stuck in”

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

Violinist Elijah Oberman takes over lead vocal duties on the penultimate track off 2013’s The Garden

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

In the tradition of The Clash’s Complete Control, The Shondes illustrate on this track off 2013’s Exotic Fever-released LP The Garden that industry revenge is a dish best served cold, and in song

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

This classic, seething punk single was released on the US version of The Clash’s debut album and takes aim at the band’s label, CBS records, as well as meddling punk managers of the time.

It was released as a single in 1977 with B-side City of the Dead

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

The rousing anthem that opens The Shondes‘ 2013 album by the same name and prompted Peter Carlin to comment in his Rolling Stone review:

Abandon your dreams on this record, and you could get your ass kicked

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

The first official single from The Shondes‘ 2013 LP The Garden introduces piano and melodica to the band’s sound and sets the hopeful, anthemic tone for the album

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

“Softer, Softest” off 1994’s LP Live Through This was originally called “Pee Girl”, and the chorus features the phrase, which seems to at least in part reference Love herself as a child.

This line is meant to tie school bullying to another, possibly more severe form of abuse – the one coming from the media and the audience of a band as big as Nirvana, blaming Love not only for Cobain’s downfall and consequential death, but also for being a social climber and an opportunist. From the infamous Vanity Fair article “Strange Love”:

It looks as if, after a few false starts, Courtney is having her moment. She and Hole were just signed to a million-dollar record deal; she is married to Kurt Cobain, the lead singer of Nirvana. […] Her timing is excellent: in the wake of the huge success of Nirvana, […] there has been a frenzy to sign other bands in the punk-grunge-underground mode.

This video is processing – it'll appear automatically when it's done.

What is this?

The Genius annotation is the work of the Genius Editorial project. Our editors and contributors collaborate to create the most interesting and informative explanation of any line of text. It’s also a work in progress, so leave a suggestion if this or any annotation is missing something.

To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

Loading...

“Pee Girl” was the original name of the song, and it is not the only song in Hole’s catalog where the phrase pops up.

Introducing the song during 1995 Hole’s performance on MTV Unplugged, Love says:

It’s about the girl that always smelled like pee in your class. She was me.

‘The belt’ implies abuse from a family member, since children would be hit if they wet themselves.

This video is processing – it'll appear automatically when it's done.