One by one escaping is a poor tool for making A Project (Day 23) by Megan Burns 17

Refers to the Williams Brothers and Lil Wayne and a handful of other successful artists who escaped from the projects of New Orleans.

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Can you build a big enough cage to hold the rage A Project (Day 23) by Megan Burns 17

Louisiana is the world’s prison capital

Read this book to understand prisons & race:

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Now the arc is towards white plains swept clean the erasing of doubt
how to monster what we feared what was invisibility is now too clear
A Project (Day 23) by Megan Burns 17

After the Federal Levee failures destroyed much of New Orleans in 2005, there was a lot of talk about not rebuilding the city. As of 2013, the city is in some ways recovered (see New Orleans East for exceptions), but a new blight is now occurring in outsiders moving into the city and trying to erase New Orleans' culture and replace it with their own idea of what New Orleans should be. As most of these newcomers are also white, the ethnic make up of the city is also threatened.

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In the ruins where we built up from disaster A Project (Day 23) by Megan Burns 17

Hurricane Katrina

8.29.05 Never Forget.

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The martyrdom
of being skinned & of being gendered & of being bodied in a place
that crumbles
A Project (Day 23) by Megan Burns 17

In contrast to the cultural icons previously mentioned that make New Orleans unique, the city is the murder capital of the nation. And the death toll is highest in African-American males.

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It is irreverent A Project (Day 23) by Megan Burns 17

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A culture slips streeted beats A Project (Day 23) by Megan Burns 17

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A Project (Day 23) by Megan Burns 17

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A city is a drumming, where you congregate A Project (Day 23) by Megan Burns 17

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"a moment of terror/ happening every day she/ every day forgets." -Anne Carson A Project (Day 23) by Megan Burns 17

Anne Carson did say this and she said it in Red Doc>

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