Again, from Graves' The White Goddess:

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The poem weaves Graves' poetic myth with an idea about telling stories, which in regards to Weezy reflects his persona as being a story or image as opposed to a “human.” In a way, he mythologizes his character and sets himself up for a ritual execution. In Weezy’s case, it is his own destructive tendencies that threaten his life, not the actual threat of being crucified.

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Graves is discussing myths on the execution of kings, a precursor to the myth of the execution of a Messiah.

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From Grave’s The White Goddess: This is lifted from a discourse about a myth.

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All of the italics are lifted from Robert Graves' The White Goddess.

“The White Goddess is perhaps the finest of Robert Graves’s works on the psychological and mythological sources of poetry. In this tapestry of poetic and religious scholarship, Graves explores the stories behind the earliest of European deities—the White Goddess of Birth, Love, and Death—who was worshipped under countless titles. He also uncovers the obscure and mysterious power of "pure poetry” and its peculiar and mythic language."

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“The grail is the opposite of poetry
Fills us up instead of using us as a cup the dead drink from”
-J. Spice, The Holy Grail

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