Labyrinth Love is [a] crap/shoot (Day 8) by Megan Burns 12

The beautifully androgynous David Bowie:

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I was never a thing
                                          to be poemed
Love is [a] crap/shoot (Day 8) by Megan Burns 12

This is both the speaker of the poem and a play on the idea of Weezy as a “thing” to be poemed in the 30 Days of Weezy project.

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Here’s what I can do & here’s what I will do Love is [a] crap/shoot (Day 8) by Megan Burns 12

this is a quote from me actually

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Girl…
                      girl, what kind of thing do you want to be
Love is [a] crap/shoot (Day 8) by Megan Burns 12

again, playing on notions of gender roles

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Long kisser-gist Love is [a] crap/shoot (Day 8) by Megan Burns 12

refers to Lil Wayne’s lyric in High-School

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The underdressing
                         outside gaze not fragmented enough
Love is [a] crap/shoot (Day 8) by Megan Burns 12

reiterates that the “underdressing,” a metaphor here for something outside the gaze, a hidden way of being in the world

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Nominal Love is [a] crap/shoot (Day 8) by Megan Burns 12

“Nominal” in this case means in name only, so a nominal verse would not really be a real verse and yet the idea is contained within a verse, so therein, a conundrum.

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Laid trapped sex-side Love is [a] crap/shoot (Day 8) by Megan Burns 12

refers to the social construct of sexuality and gender roles

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The underdressing Love is [a] crap/shoot (Day 8) by Megan Burns 12

“Underdressing” means literally underclothes or to be under dressed for a particular situation. It also has the connotation of being dressed in a different gender’s clothes underneath the more socially prescribed gender normative dress for one’s gender.

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Wed pathologies Love is [a] crap/shoot (Day 8) by Megan Burns 12

refers to the binding that occurs when we self-identify with our disorders

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