Our “oh now we exist” because other Love is [a] crap/shoot (Day 8) by Megan Burns 12

Alludes to Barthes' A Lover’s Discourse and the idea of our existence in the eye’s of an “other.”

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I will erase
                                     sleeping in the war zone
Still From "Love Me" Video (Day 16) by Megan Burns 5

Not only is the Love Me song ridiculously misogynistic, but the video as well is a disturbing display of reducing women to animal-like properties.

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Not skinned
                                                  not faced
Still From "Love Me" Video (Day 16) by Megan Burns 5

refers to the anonymity and the masking of the women in the “Love Me” video

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Wipe the words about
                                   till the smell of this staining
Still From "Love Me" Video (Day 16) by Megan Burns 5

refers to the still of the women wiping the walls with blood from the “Love Me” video

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Lost bitches Still From "Love Me" Video (Day 16) by Megan Burns 5

refers to Love Me

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Bleeding Still From "Love Me" Video (Day 16) by Megan Burns 5

refers to the blood bath still from the video: “Love Me”

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Measure Dear Weezy (Day 30) by Megan Burns (Ft. Gina Myers) 13

A measure is the space in which musical notes are written. One can also measure the beats in a poem by a number of “feet.”

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Tape Dear Weezy (Day 30) by Megan Burns (Ft. Gina Myers) 13

an archaic way of listening to music:

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Hook to the break. Dear Weezy (Day 30) by Megan Burns (Ft. Gina Myers) 13

“hooks” occur in music; “breaks” occur in poetry

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Mistakes Dear Weezy (Day 30) by Megan Burns (Ft. Gina Myers) 13

The word “mistake” occurred earlier as well and was edited out.

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