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Repping Boston out his masshole, fresh young rapper Jus Clide glided onto the scene this summer with the release of his first mixtape “Dotherside”, and has been making waves in the local rap scene. The mixtape is available for download on his website.

He keeps it real with a good ear for beats and a rough-em-up voice that fits perfectly with his image as a Whiskey-drinking working class New Englander.

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The title refers to the classic length of a rap freestyle or verse, 16 bars. This template is often broken, but it is inseparable from the history of rap writing.

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What is this?

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Kendrick laments that it is a fucked-up time indeed when these are some of the only things that catch our attention. It goes back to what he says about us not giving a fuck about truly important or potentially meaningful things.

Instead, his generation, more than any before it, has grown up with their brains either buried in video games or fucked up on drugs.

FUN FACT:

While listening to this song on the Xbox 360, Xbox One and PC versions of GTA V, the word “Playstation” has been purposely distorted.

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What is this?

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Hidden behind an obscene and inappropriate Harold and Kumar sample are some of Mr. Muthafuckin' eXquire’s best rhymes, as he shows off his lyrical skills over three different beats using many different flows on the longest track on his masterful Lost in Translation mixtape.

eXquire takes a leaf out of fellow Brooklyn native Biggie Smalls' book by recording his dick getting sucked and putting it at the end of a track, a la the masterful Ready to Die track Respect. Like that track, you might wanna cut this one off when you hear the girl talking at the end.

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What is this?

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eXquire compares himself to Lou Ferigno, most famous for his role as The Incredible Hulk on the television series of the same name. A normal human by day, when he gets mad… out comes the monster with uncontrollable strength and anger, the Hulk.

eXquire is pretty big, too.

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What is this?

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The first track on Mr. Muthafuckin' eXquire’s uber-personal album, Lost in Translation. This song sets the tone perfectly for eXquire’s antisocial musings which serve as the album’s theme.

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This line epitomizes what Mr. Muthafuckin' eXquire portrays as an MC. Most rappers have a gimmick or style that’s easily recognizable and lableable, but eXquire just goes in and goes hard, so he doesn’t need a gimmick. eXqo says his response, “going in” as if it is an answer he made up hastily because he really had no gimmick to speak of. Goin' in sure works well to market rappers to the RapGenius fam, and to most members of the hip-hop culture family.

Fuck with this.

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What is this?

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This line refers to the coat of arms of the United States which is the front side of the United States Great Seal used to notarize government documents.

In the design, the eagle holds an olive branch in one talon, representing peace, and arrows in the other, representing war. The eagle’s face is turned towards the branch, representing the desire of the United States to stray towards peace whenever possible.

Yelawolf believes that, like the eagle, he represents the heart of America.

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This fantastically gangster track from Ice Cube is featured on N.W.A’s famous Ruthless Records release, [Straight Outta Compton] as a Bonus Track.

This track is narrated by a very white-sounding man, making it a perfect response to outsider attacks on hip-hop for being misogynist and also to feminists that condone using the word “bitch” to describe women as completely inappropriate and unacceptable.

Ice Cube, however, offers a counter: his definition of a “bitch” is not what you think. He is not saying all women are bitches, he simply believes that sometimes, a bitch iz a bitch. He describes it as a “disease plaguing their character”, almost making women victims in the situation.

Acting like a bitch involves any combination of acting conniving, using men for money, dissing men, gossiping about friends, wearing scandalous clothing, being stuck-up, and wearing contacts. Ice Cube does not blame women for being that way, as it is only the natural. But he will not hesitate calling out women for acting in this manner.

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By this, Royce is saying he is the foundation of a plan to put an end to hip-hop’s turmoil–the figurehead of restoring hip-hop to its pinnacle (which is usually suggested to be the late ‘80 into the mid-90s) – he and slaughterhouse stress this message throughout the song, including Joey’s later line.

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