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The story she speaks of comes from the Hebrew bible, specifically the book of Genesis.

Joseph’s father Jacob favored him and gave Joseph the coat as a gift; as a result, he was envied by his brothers, who saw the special coat as an indication that Joseph would assume family leadership. His brothers' suspicion grew when Joseph told them of his two dreams (Genesis 37:11) in which all the brothers bowed down to him. The narrative tells that his brothers plotted against him when he was 17, and would have killed him had not the eldest brother Reuben interposed. He persuaded them instead to throw Joseph into a pit and secretly planned to rescue him later. However, while Reuben was absent, the others planned to sell him to a company of Ishmaelite merchants. When the passing Midianites arrived, the brothers dragged Joseph up and sold him to the merchants for 20 pieces of silver. The brothers then dipped Joseph’s coat in goat blood and showed it to their father, saying that Joseph had been torn apart by wild beasts.

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Dolly has described this song on numerous occasions as her favorite of the songs she has written. She composed the song in 1969, while traveling with Porter Wagoner on a tour bus.

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Folsom prison is the second oldest prison in the state of California, located just 20 miles northeast of Sacramento. We can also notice the alliteration in this line:

Far from Folsom

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Cash incorporates elements of the classic folk train song, which commonly describes the conditions of a luxurious dining car. The scene contrasts with the narrator’s daily reality in prison.

Dining cars are railroad passenger cars that serve meals in the manner of a full-service, sit-down restaurant. They rose to popularity during the mid 1880’s.

The protagonist’s sad while he’s in prison, not as a result of shame (in moral terms) but rather because for him it’s grossly unfair that he should be in prison while others roam free. This is evident in his resentment of those who possess material goods that are denied to him.

Additionally, this line is significant in what it reveals about the protagonist’s current mindset, as later noted by author Chuck Klosterman:

“Here is the easiest way to explain the genius of Johnny Cash: Singing from the perspective of a convicted murderer in the song “Folsom Prison Blues,: Cash is struck by pangs of regret when he sits in his cell and hears a distant train whistle. This is because people on that train are "probably drinkin' coffee.” And this is also why Cash seems completely credible as a felon: He doesn’t want freedom or friendship or Jesus or a new lawyer. He wants coffee. Within the mind of a killer, complex feelings are eerily simple. This is why killers can shoot men in Reno just to watch them die, and the rest of us usually can’t.”

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Iconic lines like these helped solidify Cash’s outlaw image once his career took off in the late ‘50s. However, let it be known that Cash did not serve a prison sentence in his life, only one-night stays in jail cells for minor infractions.

“I shot a man in Reno just to watch him die” is the most famous line of the song, if not all of Cash’s catalogue. It is strikingly similar to a traditional murder ballad, “Duncan and Brady”, recorded by Leadbelly in 1947:

Twinkle, twinkle, twinkle, little star
Up comes Brady in a ‘lectric car
Got a mean look all 'round his eye
Gonna shoot somebody jus’ to see them die

During his VH1 Storytellers performance with Willie Nelson, Cash claimed he came up with this line because, “I tried to write it as if I was a criminal… I figured ‘Just to watch him die’ might a pretty good evil reason [for killing someone].”

This won’t be the last time Johnny’s character shoots down someone.

A different take on the lyrics enables us to interpret the protagonist’s criminal mind:
- he expresses an « adolescent » rebellion against moral order personified by his mother given that she said that he shouldn’t play with guns;
- his act appears to be characterized by a perverse reason since he only wanted to see the man die.

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Perhaps more than any other song, “Folsom Prison Blues” cemented Johnny Cash’s status as the outlaw country archetype. Although he never actually did time in the California prison for which it is named, songs like this and his live shows for inmates made him an icon of reckless bad-assery. The song’s title is a clever reference to two types of Blues: the song’s genre and the blue Folsom Prison uniforms.

Cash wrote “Folsom Prison Blues” while stationed in Germany with the Air Force in 1952. He said he was inspired by a crime drama that was played for the troops on base called Inside The Walls of Folsom Prison. “It was a violent movie,” remembered Cash. “And I just wanted to write a song that would tell what I thought it would be like in prison.”

German poster for the film:

The song was also heavily influenced (some would say plagiarized) by “Crescent City Blues”, originally recorded by Beverly Mahr and written by her husband Gordon Jenkins, who managed to win a settlement from Cash in 1969.

The song combines elements from two popular folk genres, the train song and the prison song, both of which Cash would continue to use for the rest of his career. While the first release of the song was in 1955, the 1968 At Folsom Prison version is a rare example of a live song which is considered more definitive than its studio-recorded counterpart.

Cash’s original 1955 Sun Studios single release peaked at #4, but the 1968 version recorded live in front of prisoners went to #1 on the Billboard Country chart and became one of Cash’s signature songs. On the live recording the prisoners can be heard cheering after the “I shot a man in Reno” line. Their cheers were added in post-production: in reality, the prisoners hesitated to cheer the song out of fear of punishment from the guards.

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Lyrically, Gill croons of a long-lost lover who no longer returns his cries of affection. The mood is somber!

“When I Call Your Name” reached #2 on the Billboard Hot Country Singles & Tracks list.

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Although many believe “Ring of Fire” to be about falling in love, Johnny Cash’s first wife, Vivian Liberto, offers a different perspective. In her book I Walked The Line she contends that June (Cash’s second wife) didn’t co-write the song as credited. Vivian writes:

To this day, it confounds me to hear the elaborate details June told of writing that song for Johnny. She didn’t write that song any more than I did. The truth is, Johnny wrote that song, while pilled up and drunk, about a certain private female body part. All those years of her claiming she wrote it herself, and she probably never knew what the song was really about.

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Johnny Cash’s soon-to-be-second-wife June Carter wrote “Ring of Fire” in 1963 with Merle Kilgore to express the experience of falling in love with the married Man in Black. Cash would continue to walk the line with his first wife, Vivian Liberto, until 1966. June Carter finally became June Carter Cash in 1968.

After being originally recorded by June’s sister Anita Carter as “(Love’s) Ring of Fire”, the song was recorded by Cash on March 25, 1963. It became the biggest hit of his career, staying at number one on the charts for seven weeks. It was certified Gold on January 21, 2010 by the R.I.A.A. and has also sold over 1.2 million digital downloads.

In 2002, shortly before his death, Cash sang another cover, “Hurt”; the perfect bookend to “Ring of Fire”. In it Cash acknowledges his failures as a husband and friend. If “Ring of Fire” was the first warning sign of an obsessive-compulsive personality, “Hurt” is the final apology.

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With regards to the song’s music video, Hillary Scott told Country Stars Central: “We actually shot that in Nashville in a warehouse type place. We just wanted to do something fun, and we all love that whole era of the 50’s clothes and all those variety shows. The set was exactly what we pictured in our heads. The guy who directed our first video, Chris Hicky who lives here in Nashville, directed the second video as well so it was great to be with him again, and work with him. The outfit I wore was a fringy blue dress, and I had to shake my hips a lot to make my dress move, (Laughs) and I do not know how the girls on Dancing with the Stars and Beyoncé can just dance throughout a show every single night, night after night, after night in those 5 inch heels! It was one of the best workouts I’ve ever had. I thought to myself, gosh, I understand why all those stars on Dancing with the Stars end up losing weight and getting into awesome shape. It was fun; it was a lot of fun!”

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