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People generally don’t work and associate much with other people who are too different in ethics, beliefs etc. Essentially, “birds of a feather, flock together”. Continuing with the theme of the previous lines, Pusha is saying that certain groups of people simply don’t commune with others regularly or at all. In this case, the hardened don’t associate with soft guys.

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Pusha finds that fame has its stresses. The constant interaction with people will always turn up persons (like two-faced liars for instance) you’ll wish you’d never met. It’s probably problems like this that frustrate him to the point he’ll consider murder of various sorts.

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Reference to blues singer Peetie Wheatstraw. An extract from “Third Coast: Outkast, Timbaland, and How Hip-Hop Became a Southern Thing” by Roni Sarig:

Among the most popular characters to appear in the African American oral tradition was Peetie Wheatstraw, “the devil’s son-in-law.” It’s impossible to know where the name came from (possibly from the wheatstraw paper commonly used for rolling joints). Whatever the case, Peetie Wheatstraw was one of the badasses who ran in the devil’s posse in Southern black folklore.

There was also a movie based on Wheatstraw and his status as the devil’s son-in-law.

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Here is the end of the progression noted in the last few lines of the previous verses. This line represents a step up from one man being enlightened, to a group or even a nation sharing in this enlightenment. This embodies the views of many movements which is the betterment not only of oneself, but of a multitude.

Perhaps on a more specific note, he could be referring to black empowerment or restoration of the black community’s consciousness of who they really are…

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J. Cole came up from little. He was brought up by a single mother, and had a troubled childhood seeing his brother go to jail. However he persevered, graduated college and moved to New York to pursue his dreams. Now, he’s releasing his debut album and climbing to the top with the backing of Jay-Z. He’s even had the honor of being the first Roc Nation signing. His mom has to know by now, she has an independent son.

This is also a reference to his past work. The Come Up Mixtape Vol. 1 got him a buzz, but The Warm Up and Friday Night Lights made him notorious. He’s taking it a step further with his album.

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Game describes his ascent from growing up in public housing (similar to a shack, like a favela) or possibly carrying a ‘shack’ (maybe slang for a gun, knife or weed).

He completes these bars by incorporating the names of two of the biggest players in the NBA:

  • Shaquille O'Neal, (Shaq) who stands at 7'1" and was one of the heaviest players to ever play.
  • Yao Ming, who stands at 7'6" and was one of the tallest players in NBA history.

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He entered this game of life/music and noted the possibilities it possessed.

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Another reference to the industry. Many executives can’t see the dreams of artistes or even care to help them, unless they can make a profit.

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God bless the people who don’t believe in you, as they can serve to fuel your ambitions in your quest to prove them wrong.

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Filthy pockets alludes to the corrupt of the music industry. She’s been tainted, but she smiles nevertheless.

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