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It’s true. Juvie has been “that nigga” in New Orleans at least since 1991’s classic collaboration with D.J. Jimi, “Bounce (for the Juvenile)”

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He hopes nobody heard this white girl say the word because there may be an altercation over its usage. The ending is supposed to illustrate that he feels more alone at this party of distanced, hostile people than he would if he were actually alone, and it’s made him even more depressed than he already was about missing his ex.

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Drake pays homage to the late Pimp C, who was a member of the legendary southern duo Underground Kingz (UGK) with Bun B.

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Chantal is a well-known Canadian singer. She was extremely happy to work with Drizzy:

I am thrilled because the creative process was beautiful. I feel privileged to have lent my voice and melodic take on his fancy footwork.

The reason why I am so excited about this song is because I just love this song. I love how Drake is all about Toronto and all about Canada. Amidst all of this stardom, there is such a humility.

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Drizzy talked about Stevie’s contributions in an interview with The Village Voice right before Take Care’s release:

We had met and exchanged numbers a while ago so I called him when I was in LA, and he came to the studio I was working at, named Marvin’s Room. So he came and I had this song looped up named ‘Doing It Wrong,’ and it was just playing and Stevie said, ‘40 [Drake’s producing partner], turn the music up,’ and he was just vibing, being Stevie Wonder, sort of got quiet. And then he just went in the booth and brought life to this record, added all these musical pieces. He’s just, like, a dear friend of mine and a great person. I love working with him, and we’ll definitely work more in the future.

The harmonica part was used again in the track “Jorja Interlude,” on More Life.

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This hook is a quote from KRS-One’s verse on the Just-Ice song “Moshitup”

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As mentioned in the song notes, this hook comes from the song “I’ll Take Care of You” by Brook Benton. Here’s Bobby “Blue” Bland singing it in likely its earliest recorded version, from 1959:

“I’ve loved and I’ve lost” is a twist on the well known saying: “it’s better to have loved and have lost than to have never loved at all”.

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Apparently, for once Ross isn’t exaggerating. Courtside tickets to the NBA finals will cost you in the range of $15-30K. If he’s at a regular season game, though, he’s getting robbed!

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Juvie here compares himself both to the movie’s Scarface (a.k.a. Tony Montana), the Al Pacino-portrayed drug kingpin with tons of money

as well as the rapper who loved the movie so much he would take its name, Brad “Scarface” Jordan

In addition, he name-drops the late rapper and producer Chad “Pimp C” Butler, of the group UGK (short for “Underground Kingz”)

Juvie isn’t the only rapper who has lately taken to calling himself an underground king

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This line is one of rap’s greatest examples of money machine impersonation, a surprisingly robust genre

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