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This vow to come to the aid of Jay-Z and Memphis Bleek in times of trouble by killing their adversaries (and their children!) would not last very long. Cam had a troubled relationship with Roc-a-fella and was dropped after two albums. By 2006, Cam would be releasing vicious dis songs to his former boss. See the long history of their often-antagonistic relationship here

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Cam shows the proper amount of respect to the authorities and populace of the Midwestern towns he dealt in – he urinates in public, flips the (figurative and probably literal) middle finger (the “bird”) at authorities (see his 2006 song “Middle Finger U” for more information on this topic), flips (sells) a different kind of bird (a kilo of cocaine), and changes license plates on the car so as not to be caught. As with almost everything Cam says, it sounds much cooler when he talks about it

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Keeping the NBA metaphor going, Killa compares the power of his guns to the power of two famous coach-player triads, both involving legendary coach Phil Jackson:

Phil Jackson, Scotty Pippen, and Michael Jordan of the late 1980’s and 1990’s Chicago Bulls powerhouse team. Pippen, Jackson, and Jordan, below:

Phil Jackson, Shaquille O'Neal, and Kobe Bryant in Jackson’s next coaching job, the Los Angeles Lakers, which he took over in 1999 and continues to coach, though O'Neal left the team in 2004

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Continuing the 1980’s basketball theme, Cam compares his mojo to that of legendary Detroit Pistons backcourt combination of Isiah Thomas and Joe Dumars. See them in action here

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Cam would later elaborate on his Midwestern drug-dealing exploits on his song “Get It In Ohio”

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A fantastic, overlooked song featuring a (non-Hov) dream team of Roc-A-Fella talent during their early-aughts glory years. This tune features a verse from the dude who produced it, some guy named Kanye West who thought he could rap. Wonder whatever happened to him..

Dame picked the sample and originally wanted to have Just Blaze do the beat, but there was a miscommunication about how quickly Dame wanted the beat made, and production duties fell to Kanye West. He stated “I remember one time I asked Just Blaze to flip this beat for me and he wouldn’t. I was aggravated. So then I had asked Kanye to flip the ‘Champions’ beat and I had liked the fact that he reacted with speed. It was just respect. I knew that there was a work ethic that it takes to win on a professional level, and I saw that he had two times that.”

(Source: The Making of Kanye West’s “The College Dropout” by Complex)

Additionally, a snippet of this song is track seven on Kanye’s 2002 mixtape Akademiks (Jeanius Level Musik). It lacks DJ Clue’s presence and ends with another chorus after Kanye’s verse.

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While this may sound absurd in these Yeezy-ruled times, this song was released in 2002, when Kanye was known solely for his production work. His debut album would not be released until two years later

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This is a reference to the song “Never Change” by Jay-Z (a.k.a. Hov), which West produced and rapped on. This song was released before Kanye had even released one album – thus the fact that his brags here are about his production on other peoples' songs.

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In October 2005, Jay-Z put on a concert at Madison Square Garden that he called “I Declare War”. He left it intentionally vague as to who he was declaring war on, and many speculated it would be Cam'ron, who, along with his Dipset crew, had been throwing shots at Jay for months

As it turned out, Jay didn’t declare war on anyone, and instead declared peace with his old enemy Nas

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These battle rhymes weren’t just directed towards a generic “sucker emcee”. Cool J was at the time involved in a vicious feud with Kool Moe Dee

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