at first, casual listen, i thought it was a solid project because i wasn’t really paying attention to it, and it filled all the surface qualities of a future tape.

but on second listen, it sounded repetitive and devoid of the affecting codeine nihilism that future taps into at his best. “drippin” and “perkys calling” are truly solid tracks (with “purple reign” threatening the same), but everything else takes the ease with which future crafts songs and translates it not into minimal masterpieces, but underworked filler.

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i’d argue for “stay schemin'”, but i realize it’s not entirely his song in the sense that drake steals the show

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fantastic recommendation from brian. soundcloud-esque pitching, beach house-esque weightlessness, and brock-esque difficulty to describe. v much enjoyed.

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trite though they can be, i can be a bit of a sap for certain romance movies. i adore carey mulligan, so i went for this because it was on hbogo.

but the plot of this was far too hasty to truly feel anything for the characters. sure, i rooted for everyman gabriel, as the movie intends, but it moves so quickly that i don’t believe any true affection (s/o father john misty) could be fostered. the timeline is ambiguous; each scene could be the next day or the next month as there’s no true timing mechanism. after watching, i read the plot on the wikipedia page for the book, and the characters' actions made more sense due to more buildup. i could see myself perhaps enjoying the book’s original version of the story, but this film wasn’t convincing enough.

halfway through, mulligan’s casting began to reek of channeling itself as a sort of reverse/happy-ending great gatsby – courtship, indecisive woman played by mulligan, rags-to-riches underdog, etc.

it also seemed a bit misogynistic; the lone independent woman in this 19th century england could have been a beacon of aptitude, but instead falls back on a man to save her at every turn. a lot of this is the culture, and she does hold her own at plenty, but the theoretical hand holding throughout subverts any of her saving graces.

however, mulligan and matthias schoenaerts get the best out of the roles, showing their chemistry and affection through glances and eye contact, despite the poorly staged plot and at times lame dialogue (especially in their final monologues). it’s in these performances, and the beauty of the english countryside, that the movie finds redemption, but even to a lowkey romance sap like myself who often rewatches lost in translation, eternal sunshine of the spotless mind, and the notebook, the redemption was minimal.

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not bad. the production uses interesting samples to great effect. but for the most part Vinnie raps on the overused “put the city on my back” pedestal, and doesn’t do anything novel.

weirdly, this reminds me of Rockie Fresh’s Driving 88 mixtape, but with more life and much more promising lyricism.

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yeah i don’t know how it gets better than this

https://soundcloud.com/kanyewest/real-friends-no-more-parties-in-la-snipped

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The hype as a rare combo of blockbuster hit and high quality art at the same time was warranted. Very entertaining, and Tom Hardy remains one of my favorite actors.

I didn’t (and still don’t) know much about the original movies, but going in I thought Fury Road was going to be a remake rather than a chronological progression, so I plan to watch the original movies at some point now to fill in the missing pieces.

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The quality of the seasons has steadily declined since the superior first season, but Vikings remains a very good show. Travis Fimmel as Ragnar is absolutely phenomenal, while Katheryn Winnick, Gustaf Skarsgård, and Clive Standen are a fantastic supporting cast.

Dennis Perkins reviews the series over at The A.V. Club, and he typically hits the nail on the head with his takes. He and I agree that the writing has been on a decline since the first season, and more magic/mysticism plots are troubling, but the cast (especially Fimmel) and some amazing camerawork/scenery continue to make this a highly watchable show despite not always living up to the promise of the first season.

I very much recommend the series, and look forward to season 4’s return in February, but the writing needs to step it up for this go-around.

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