author’s initials or apt reaction to the inclusion of views on an aoty list?

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wat dis?

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some cool nu-r&b vibes at times but a lot of it is over-grandiose and/or goes too far with it’s sexual schtick

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soothing guitar instrumentals from justin vernon’s pal and former bandmate

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airy, almost-shoegazey rock a la the waxahatchee mold, plus some synths. possibly my favorite EP of the year, for whatever that’s worth.

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Pros:

  • everything you could ask for in a pop album, or album of any genre for that matter. in their debut they seemed content with making odd sounds and layering them with catchy vocals, but where the two seemed like separate elements in zaba, htbahb melds them in a much more immediate and infectious way. “agnes” is a top-5 song of the year for me. -brock

Cons:

Votes:
Top 3: 1
Top 5: 2
Contender: 1
Non-contender: 0

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Pros:

  • this album is flames. top 3 -babuc

  • Starboy was my favorite album of the year. Abel is so conscious with his music. The directions he takes continue to amaze. Every collaboration on Starboy does not seem unwanted, every song and transition has a purpose. So glad Daft Punk was on this album, too. The Weeknd wouldn’t be here if it wasn’t for them, so they are a perfect match. This is a very misunderstood album that may or my not hold up. It is certain that this is an album. It continues and starts the incredible journey of Abel, The Weeknd, and Starboy. -rovert37

Cons:

Votes:
Top 3: 3
Top 5: 0
Contender: 1
Non-contender: 0

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Romy and Oliver use a call and response style to invoke the symbolism of putting one’s lover “on hold.” Each capitalizes on the telephonic metaphor with the word “call”: Oliver with “I think you’re too soon to call us old” and Romy with “Call it a lesson.”

Oliver’s character invokes the titular “on hold,” but Romy only mentions its inverse, in that she can’t “hold on.” Oliver’s insistence that it’s too soon to call their relationship “old” contrasts Romy’s reflection on “young hearts.”

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this is when p.c. music hits the nail on the head – taking their bubblegum (and in GFOTY’s case, boy crazy) schticks and mixing them with simutanteously gorgeous and abrasive instrumentation, all while turning pop lyricism on its head.

“snakes + ladders” sounds exactly like an electronic version of a song i can’t place. “call him a doctor” is laugh out loud funny, and the flow of the nonsensical lyrics in “the argument” make it the most infectious tune on the project. “u wood”, and “heaven” sound like glitching love ballads, but then there is also something like bubblegum metal in the “blown” to “lemsip” stretch, with the latter using vocals as an instrument as if they invented the Messina rather tha those working on 22, A Million. this is just fantastic in the weirdest way.

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