Rolling scrapers Neighborhood Boyz by Brotha Lynch Hung & MC Eiht

“Scraper” is an Oakland, CA term for a tricked-out luxury car.

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And my nigga Eiht got something like out of a Vietnam movie Neighborhood Boyz by Brotha Lynch Hung & MC Eiht

Soldiers in Vietnam movies are often portrayed wielding enormous weapons, like Robert de Niro’s flamethrower in The Deer Hunter.

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And they welcome me back, but I'm not like Ma$e Neighborhood Boyz by Brotha Lynch Hung & MC Eiht

Ma$e had a hit in 2004 with the song Welcome Back from the album of the same name. By saying he’s not like Ma$e, Eiht is implying that he’s not a religious man, as it’s well-known that Ma$e left the music world to become a preacher.

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Did I ever pull a trigger? Fool, I plead the fifth Neighborhood Boyz by Brotha Lynch Hung & MC Eiht

When asked if he’s ever shot anyone, Eiht refuses to answer on the grounds that it may incriminate him

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On the blue beach cruiser in the hood with an uzi Neighborhood Boyz by Brotha Lynch Hung & MC Eiht

I used to ride a bicycle through the ghetto armed with a sub-machine gun.

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I was a +menace+ in the hood way before the movie Neighborhood Boyz by Brotha Lynch Hung & MC Eiht

MC Eiht portrayed thug A-Wax in the 1993 film Menace II Society.
Here he informs us that he was a dangerous street kid long before he was a movie star.

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Maricón Neighborhood Boyz by Brotha Lynch Hung & MC Eiht

Derogatory Latin American slang term for a homosexual.

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Stuck a nine in his ass, he came, little bitch Neighborhood Boyz by Brotha Lynch Hung & MC Eiht

Implying that the male in question has orgasms from anal penetration, making him a homosexual, or in Lynch’s words, “little bitch.”

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I be swinging them haymakers Neighborhood Boyz by Brotha Lynch Hung & MC Eiht

A haymaker is a type of punch intended to knock somebody da fucc out. The path of the punch resembles the motion of a scythe being used to cut hay.

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Picasso, a body breaker Neighborhood Boyz by Brotha Lynch Hung & MC Eiht

Painter Pablo Picasso was known for his cubist approach to painting human figures, whereby he would paint different features as viewed from different angles, resulting in an image that looked like a “broken” body.

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