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After that, Buckshot likes to hang out and hustle with his friends

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If Buckshot had any problems selling drugs he could get out if there in a zip. There was no chance of anybody catching him.

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Buckshot and his crew used to do their thing around here

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Speaking on behalf of Section 80, Kendrick provides a rebuttal to people that judge young men who act wild. He is making the argument that so many children from this era never learned how to act properly because they grew up without any real parenting (also touched upon in “Keisha’s Song”). It is easy to make judge them if you grew up with parents that spent time teaching you right from wrong. .

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These three lines mimic, in both structure and meaning, the previous lines where Kendrick states his perspective on Section 80.

  • I’m not on the outside looking in (pop star)
  • I’m not on the inside looking out (socially aware rapper)
  • I’m in the dead fucking center (human fucking being)

“Over dope ass instrumentation” is really simple, just saying this instrumentation is sick – and the drums come in right then.

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This line describes the perspective of Section 80 that Kendrick maintains throughout the album:

He isn’t putting himself on some higher pedestal than the rest of Section 80 (not on the outside looking in), nor is he glorifying the negative aspects of them (not on the inside looking out). He is acknowledging that he is a part of the generation he is addressing and that his music is inspired by what he has observed as a part of Section 80. He’s simply a hip hop journalist; he tells you what he has seen and lets you interpret it as you want.

This could also be a reference to the cover of Illmatic, in which a younger Nas is depicted as being in the middle of the city and looking out at the world.

The world around (i.e. the answers) are dictated by the “world within” or your mind.

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His Colt .45 isn’t the inner-city minority marketed malt liquor. It’s a gun that can leave you disfigured with one or two pulls of the trigger.

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