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A good guess would be “no one” – but Marvell might give it a shot anyway

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The young girl whose beauty has a calming effect on nature is a common trope in pastoral poetry

Marvell goes a little crazy with this idea with the figure of Maria (Mary Fairfax) in Upon Appleton House

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We shift from the literal guests that Fairfax entertains to the more philosophical idea that we are all mere guests in the great hotel of the world

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Nun Appleton is a lively social scene. Referring to friends as “furniture” might seem as creepy as calling a bunch of beggars a “frontispice,” but the word had a wider range of meaning at the time; it could just mean “stuff,” or “things in a room”

It still sounds weird to us, though

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This is a weird way of saying that poor people hang out outside the house, begging for handouts – a common practice at the time

“Without” just means “on the outside”

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Lol don’t waste your time

And yet Marvell’s eight-line stanza, with eight syllables per line, was known as “the square or quadrangle equilater,” praised by Puttenham as the stanza most suited to epic poetry – so it seems that Marvell has succeeded where others have failed

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This recalls the Virgin Mary’s womb, a “small room” that contained the largest heart ever (figuratively)

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This alludes to a common Christian idea: things that are physically small contain great spiritual power

People liked to remind each other that Mary’s tiny little womb contained the baby Jesus, who was pretty great

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He’s still talking about the house, but it’s hard not to read “Lines” as referring to the poetic verses themselves

Marvell’s so witty, and he’s modest too!

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The maiden name of Fairfax’s wife

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