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“Pass Dat (Remix)” is the official remix to Jeremih’s collaboration with Starrah from his critically acclaimed Late Nights: The Album. The Weeknd’s contribution to this remix came from his Christmas remix of the song, while Chance The Rapper and Young Thug contribute original verses. Chance previously remixed “Planes” from the same album, but J. Cole’s version made it as the opening track.

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This song, now called “Kanye West,” went through numerous title changes before and after its release; previous titles included “Elton John,” “Wet Wet,” and “Pop Man.”

This song—at the time called “Pop Man”—was the first single released from JEFFERY, the tape previously known as No, My Name is JEFFERY, and Young Thug. This is Thug’s first collaboration with Wyclef Jean, and Thugger later named track one of JEFFERY in his honor.

The production is handled by Wheezy and Zaytoven’s right hand man, Cassius Jay, who’s influence on the beat is clearest in the keyboard melody found in the pre-hook—which is reminiscent of his mentor Zaytoven’s preferred instrumentation.

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“Young Thug Attendant” hasn’t come up in his lyrics since “Danny Glover,” but given his decision to change his stage name to “No, My Name Is Jeffery,” there’s a chance we see him decide to bring out older nicknames, too.

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Lobby Runners is an album comprising itself of some of Atlanta’s most talked-about rappers, all put together under the vision of PeeWee Longway. Though some of these songs appear on other Atlanta-centric mixtapes, the most well-known tracks are Longway’s “Sneakin' ‘N Geekin’” and Young Thug’s “Danny Glover” and “Stoner”. Since Lobby Runners came out in December 2013, the rappers appearing on the mixtape have gone on to varying degrees of stratospheric fame.

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These lines reference another popular philosophy of time, this one being Zeno’s paradoxes of motion. The most relevant paradox is one in which he claims motion is impossible because to travel from place A to B, you’d have to go halfway from A to B, then halfway to that halfway point, and so on and so on, infinitely. In this way, the infinite actually divides, infinitely.

In context of the album, the diver is not at fault for there being (both literal and metaphorical) infinite distance between them, as he’s but an explorer of this infinite.

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