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What is this?
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Champ lexical de l'eau :
Quais, inondés, coulées.
Il décrit les quais de la seine :
De plus :
La Coulée verte du sud parisien est un aménagement de l'espace situé au-dessus ou à côté des voies du TGV atlantique entre le boulevard périphérique de Paris et Massy
Quand le monstre s'assombrit, que les sourires diminuent Oxmo Puccino – Pam-Pa-Nam
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Alors l'orage gronde et la foudre précède un... Oxmo Puccino – Pam-Pa-Nam
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La chaleur accueillie, telle un joli fardeau Oxmo Puccino – Pam-Pa-Nam
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La représentation de l'escargot vient du fait que les arrondissement de paris forment une spirale.
Encore une autre métaphore de Paris, qui change de forme peu à peu au cours du texte, bien que la dominante reste un monstre de béton.
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Un regard oblique est un regard quelque peu désintéressé. Il est en général assimilé à une personne qui n'ose pas regarder franchement.
Le rythme de vie qu'impose paris est digne d'un marathon quotidien, ce qui épuise ses habitants.
Un regard oblique est le nom d'une photo de Robert Doisneau
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De serrer sa ceinture jusqu'à déchirer le périphérique Oxmo Puccino – Pam-Pa-Nam
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Sans changer de taille il grossit est paradoxal.
En réalité, comme Paris est personifié, cela prend tout son sens : Gardez votre taille de pantalon et prenez du poids, vous comprendrez :
La ceinture de Paris est la frontière entre l'intra Muros et la balieue, délimitée par le périphérique.
Paris ne s'aggrandit pas, mais sa population augmmente quitte à deborder jusque après le périphérique.
Qui à l'aube crachent des gens qui baillent, et les mangent aux heures de pointe Oxmo Puccino – Pam-Pa-Nam
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La personification continue, notre monstre semble avaler des métros entiers pour se rasasier !
Champs lexical de la bouche :
Bouche
Crachent
Baillent
Mangent.
On voit bien que le metro est plein aux heures de pointes et le matin il dépose des gens fatigués qui vont au travail.
Ce cannibale est finalement gentil, ouf !
“Ces bouches” sont les entrées du métro :
Vous comprenez l'image ?
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