They say the more fissures (bruises) your brain has, the smarter you are.

So there I was, trying to get smarter and get my grades up by literally drilling it with a knife, but I went too far and hurt myself.

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I like the idea of using this chop'n'screw trap mechanism, but use it to rap about my girl being pretty, but that my grades could be a bit higher. Fuck it, I’ve got a master’s degree now.

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But then I flip it, saying I’m classy and polite, as well, due to my multiple personalities or whatever.

Once I flip the personality, I flip the rhyme scheme, voice pitch and beat as well, giving it an A$APish quality.

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This bit is a classic: “ooh, I. AM. LIKE. DRUGS” trope you’ll find in any ol' rap. I flow weird like your blood flows through your veins when you’re on drugs: in a slightly fucked up manner. I ain’t no doctor, or anything, but I suspect that might be the case.

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The “flow vicious” bit is a shout-out to my previous nickname (FV), under which I’ve released “Who Killed JFK”. About half of it has been deleted from SoundCloud (I used MF DOOM’s beats, a lot of them and his label was on my back, sending me emails and shit), but you can still listen to it on YouTube.

I’m not a huge fan of “Who Killed JFK”. I sound too fucking angry, like I’m Vinnie Paz or something, though I was just 21 recording that in the basement of my mom’s house in Belgium. IOENO.

The other bit is a classic: “ooh, I AM LIKE DRUGS” trope you’ll find in any ol' rap.

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Just a shoutout to the mixtape’s name. Also, it’s a new moniker, one I’m still getting used to.

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Forin to warszawski grafik, związany ze sceną rapową.

Pijany jegomość, który pomylił piętra wszedł komuś przez przypadek do mieszkania. Stąd porównanie do Forina, który projektując artystom okładki również wbija im się ludziom (raperom) na “kwadrat” (tym razem chodzi o artwork płyt.)

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What is this?

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To learn more about participating in the Genius Editorial project, check out the contributor guidelines.

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A song about what I feel towards myself, the world and the rap game. The second verse is a dream sequence.


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I have a college degree, but it’s probably not going to help me with anything. Thus, I will continue to strive for the impossible (dancing ballet with led-injected limbs).

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I try to analyze myself over the next few line, a la Biggie in “Suicidal Thoughts”. I break hearts, mine and the people who love me. I don’t know about who I am and the genuineness of what I’m doing music wise.

The pepper/salt-shaker line means that I both belong to the microphone yet am extremely different from it (“it”, the “microphone” representing the game), contrasting with it like salt and pepper.

RapGenius is giving me shit for not including a photo with this one, so here’s a picture of Method Man.

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