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In a manner reminiscent of the last verse in “Hurt Me Soul”, Lupe points out the many ills of the ghetto ranging from drugs to unemployment to violence to hunger. Notice how the hook relates to the song’s cover art showing a pizza man parked outside a shady looking house.

There are levels here.

The literal interpretation of these lyrics describes the risk of a pizza delivery workers being attacked on the job. As a result, some companies won’t deliver in Lupe’s neighbourhood anymore — a topic Lupe discussed on twitter feed in August 2013.

However the hook to “Deliver” also doubles as a homophone for “Peace of Man”:

This double meaning personifies “peace” — alluding to the fact that a lot of neighbourhoods are always in a perpetual state of chaos. It becomes clear that the song title “Deliver” not only refers to the pizza man but to the deliverance, or lack thereof, for people living in the ghetto.

Deliver me from all my transgressions: Make me not the reproach of the foolish.
Psalm 39:8

Furthermore, “Peace of Man” refers to Jesus. Due to all the troubles in the hood, one might say God does not pay attention to it. Lupe is asking for Mother Mary to deliver Baby Jesus to the world and bring peace to the hood.

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“Deliver” is the first official single off Tetsuo & Youth. The cover art depicts a fictitious Frank’s Pizza delivery car stopped in front of an ominous-looking house. The straight line through the image is akin to the red circle-with-a-line-through-it “no” symbol.

On the surface, the song’s title & hook relate to certain pizza joints that won’t deliver to neighbourhoods that are considered high-risk. (Interestingly, this topic was the subject of a Twitter conversation with Lupe in August 2013).

However in true Lupe fashion, there’s another level to his lyrics taking the form of a social commentary on deliverance, or lack thereof, for people living in the ghetto.

https://twitter.com/LupeFiasco/status/544201798093770752

Not-so-fun fact: Just 3 days after this track was released a man was shot and killed while delivering a pizza in Chicago’s Northwest Side.


On Dec. 15th Lupe premiered the official video on World Star Hip Hop (watch and see if you can catch the reference to this famous painting by Michelangelo):
https://www.youtube.com/watch?v=R40DFzvbMtE

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Most people who go to bars, drink and/or smoke do so because it’s social and makes them feels good. By now, however, we’re beginning to see that the person Chance is describing is just all around miserable – to them, nothing is appealing, not even going out for a good time.

Beyond the surface, the statement about hating everyone could be reflecting peoples' tendencies to preemptively judge each other based on next to no information (it’s a stranger he’s talking about here – about as little information as you can get). Sounds like this person is probably very, very lonely.

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AAA (American Automobile Association) offers a range of services to automobile drivers, including roadside assistance & jump starts when a car battery dies. He specifically uses the Triple A metaphor to go along with the previous line about her bending over touching her toe (tow).

Additionally, Lupe could be talking about Monica’s career. For example, Monica’s book deal jumped started her career after the scandal. If Monica is the car then AAA is the equivalent of whatever could boost Monica’s career.

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The primary components of this song’s production include an original piano/keyboard arrangement, credited to Omar Edwards (the musical director for several high profiles artists including Jay Z), a drum sample and a vocal sample.

The drums were lifted from the oft-sampled “50 Ways To Leave Your Lover” by Paul Simon:

https://www.youtube.com/watch?feature=player_embedded&v=MG-0BWLybIQ

The female vocal harmony that loops throughout the song’s verses is from “She’s Leaving Home” by Syreeta:

http://youtu.be/1R0qqMdDELE?t=1m24s

The sampled lyrics (which don’t appear to have any obvious connection to this song) are:

Father snores as his wife gets into her [dressing gown]

This song is itself a cover of the original by The Beatles – Paul McCartney actually used the same rhythm in their version.

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Chance, again, rapping from the viewpoint of the average person who hates driving and/or taking public transportation (traffic really is the worst though).

In reality, Chance doesn’t hate all modes of transportation – we know he enjoys riding his bike and here he seems to be skating quite happily:

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Chano lists things typical of an average person’s living environment and comments satirically on how people can start to think of these things as monotonous and mundane, even though they should typically bring you happiness.

Chance, himself, isn’t really so cynical. As proof, here’s an adorable picture of Chance sleeping peacefully with his dog and on the couch:
https://instagram.com/p/YLJ_RiHDjv/

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This song may seem pessimistic and depressing at first glance, but it’s actually an optimistic song when analyzed more deeply. Chance uses satire to describe society’s generally negative outlook on life – when one hates everything, life can feel like it just doesn’t ever get better.

I was talking with the guys trying to make a song about things that I actually hate, and then it became more of a satirical thing where it was to a point where I was like, “I’m going to write about things I couldn’t possibly hate.” At a certain point I realized the best way to write it would be to attack it from a standpoint where it’s not necessarily obvious satire.

Looking more closely at the things Chance claims to “hate”, almost everything is actually loveable and should be appreciated. Having a positive outlook on life can also make you feel like things can’t get any better, though this is in contrast to the way cynical people think, as described above.

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August 11, 2014 – the legendary Academy & Grammy Award winning actor and comedian Robin Williams tragically passed away.

Despite achieving such high levels of fame and success in his career, Williams fought long battles against substance abuse and struggled with mental health problems. His daughter Zelda has even addressed her own concerns over public perception of mental health issues via Twitter:

https://twitter.com/zeldawilliams/status/520688682546630656

Williams death gives tragic evidence to support the well-known saying that “money can’t buy happiness” – a simple statement that formed the basis of Biggie’s classic song “Mo' Money Mo' Problems.”

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Tetsuo & Youth is the fifth studio album by Lupe Fiasco, released on January 20, 2015 through the Atlantic Recording Corporation. Make sure to check out the liner notes as well as our breakdown of the album cover.

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