The 9th track and lead single of Gravediggaz' debut album 6 Feet Deep.

This is about one man, with many different personas within him, created at birth, as society forces you to be who you are not. Whether by force, or by intention, he describes in this song the works of his mind. How we’re evil, yet we still strive in ourselves, meaning there is good there somewhere, as shown when he attempts to escape his mind, hell, evil. All of the different verses are him, speaking out and from their view. First, he tries to justify it all. Then, he explains what happened to make him the way he is, how we was put through torment and horror and how he wanted to escape that. On verse three, this is him when one of his personas possess him and encourage him to gloat and brag about himself, even though in the back of his mind he knew it didn’t have to be this way and he took the wrong path. The last verse is him completely taken over, there is no good left, he has given up fighting and comes to a realization this was him all along.

The Undertaker Prince Paul described the process behind the making of the record and who the unknown “RNS” is who is listed as a producer

I’ll explain how it happened… RZA came in with this sample and we were like “yo that’s crazy let’s use that.” RZA was like I don’t know, it’s not mine, I didn’t loop this up my man RNS who lives around my way did it. I was like “yo, ask him if we can use it.” RZA said “man we gonna have to give him credit, we gonna have to break him off a little bit and give him some credit.” I said “yo whatever it takes to get the loop.” So when we looped it, we didn’t even get the real loop, we just took it off the cassette. I said “yo, ask him what the sample is.” He was like… “he got it from a car commercial.” I said what?! Get outta here! RNS wouldn’t disclose what the sample was at the time. So I looped it up and added a beat and stuff to it. I took it, programmed the beat, recorded all the vocals, arranged all the vocals and that’s when I met Shabazz The Disciple and Killah Priest, they came down to the studio. Shabazz heard the beat, just the beat and the loop and he wanted to rhyme on it and he killed it! He was the first one rhyming on that song and the guys didn’t know how to follow it because it was too crazy. There was no concept to the song, just his rhyme. So I had to sit down and figure out how I could make this cohesive because there’s no hook, there’s no concept. So I came up with the courtroom thing and then I wrote out that part. When all the rhymes were on, I put the courtroom part on and I never told them what I was going to do. I played it for all of them and they were like yo, how did you come up with that idea, that’s crazy! How did you link all that together! It was just an idea I came up with. I took it, recorded the vocals, mixed it and at the end of the day I didn’t care about credit, I just worried about the record getting out. Technically RNS was never there, we used his sample and it was through RZA because it was RZA’s connect so then RZA got credit but the person who actually put the whole song together was me, haha. So I never got the proper credit, but I didn’t care. If it’s gonna take RNS to get credit for this so we can use the sample, because it was dope and I had no idea what it was, RZA had no idea what it was, so RNS was the only person that had a link to that sample. Now I know what it is, but back then I didn’t know what it was. It all worked out. So when I see people like oh RNS and RZA killed the track… I’m like what?! Even the production sounds like me, you can tell. RZA and RNS ain’t gonna come up with the whole courtroom scene, it’s not their style. But it all worked out in the end, haha.

Demonstrating masterful lyricism, three of the four Gravediggaz drop hot verses and paint vivid pictures of growing up in the slums, and how that formed a bond between men that would never break.

The song is the only one on the album produced by Frukwan, The Gatekeeper. Prince Paul (The Undertaker) explained the process of the song’s creation:

Yeah “Blood Brothers”, the original track was on a demo that he had. When I put the group together I listened to it a lot and I liked the beat so much that when we started making the album, I tried to get everybody involved so I was like “yo let’s use that beat that you had”. I think Poetic came with the hook and expressed it to RZA and Frukwan and they just wrote to it and that’s more or less how that one came about. We had to recreate the beat because there was a lot of samples so a lot of it we replayed but we tried to make it sound a lot like a sample