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A love song about two people who had each “made [their] life a lie so [they] might never have to know anyone” takes us through an apparent car accident and various trauma (“her memory worked in reverse to keep her safe from herself”) to this sweet, heavily-repeated mantra at the conclusion. The combination of combustible emotions melting into genuine hope is breathtaking.

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Most British pubs have fruit machines, (slot machines) usually called one-armed bandits.

On a typical night out you’d probably have a go on the bandit, win a couple of quid then lose it again. Even if you get lucky once in a while, the odds are not in your favor.

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The opening track from Whatever, “The View From the Afternoon”, sets the stage with dead-end dive-bar lyricism:

I want to see all of the things that we’ve already seen,“ Turner sings.

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Our narrator is checking out some ostentatiously dressed girls riding around in a limousine, probably someone’s birthday party or a Hen Party.

“Lairy” is British English for aggressive and obnoxious – especially after drinking too much.

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However, our narrator thinks tonight will be different. Regardless of his past failures, he’s positive he’s coming home with a babe tonight.

Perhaps a metaphorical response to the hype that surrounded the Arctic Monkeys before they even released an album. They’re not just a hype machine.

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The opening track from Whatever tells the story of every frustrated young man: the narrator goes out, optimistic that he’ll get laid that night, only to come back empty-handed.

The narrator comments on the expectation that an evening that will be enjoyable will likely lead to disappointment; the line could also serve a comment on the massive hype surrounding the album in the UK press before release and several critics and fans have suggested this was intentional by Turner.

In the video for “I Bet You Look Good on the Dancefloor”, lead singer Alex Turner introduces the performance of the song by saying:

We’re Arctic Monkeys and this is “I Bet You Look Good On The Dancefloor”. Don’t believe the hype."

https://www.youtube.com/watch?v=pK7egZaT3hs

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Metallica’s gut-wrenching “Ride The Lightning” is about spending your final moments in an electric chair. The title was taken from Stephen King’s The Stand.

We just got into some social topics. The death penalty was a big question and the electric chair. That’s heavy. What if that was you, mistakenly? That’s what that song was about, being accidentally found guilty and put to death with no way to stop it. It was just a matter of putting myself into other people’s situations and trying to get these feelings out.

James Hetfield, Rolling Stone

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A classic Elliott Smith song featured both on a Kill Rock Stars 7" and his eponymous second LP. Smith employs heroin as a metaphor here and on many songs on the album. As he told the zine Spongey Monkey (as quoted in the book Elliott Smith and the Big Nothing:

“Sometimes people are like, ‘Oh, the second [album] is all about drugs and stuff,’ and it’s not about drugs. It’s a different angle or topical way of talking about things. Like dependency and mixed feelings about your attachment.”

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This lyric is open for debate. Some believe that Elliott is referring to another person who is jaded and lazy, or possibly himself.

This could also refer to a person who is constantly strung out on drugs, so you might “come to expect” him to act dumb.

It also seems possible that “acting dumb” in this case means that “he” is pretending not to know something (where the drugs are, who the subject could buy more from, or about the subject’s addiction in general).

This could also be a reference to “The friend” he’s calling to get money from. This person has probably lent money to the addict before and know’s about his problems. By “acting dumb” he doesn’t have to face the guilt of helping an addict or wind up never getting paid back.

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Smith draws out the “s” in “marks,” evoking the hiss of heroin cooking in a spoon.

This line is a bitter pun: the marks in question could be grades in school, track marks from shooting heroin, or both.

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