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According to Tommy Ramone, this iconic chant was inspired by a Rolling Stones version of Rufus Thomas' “Walking the Dog,” which changed Thomas' original “High, low, tipsy toe” line to “High hose, tippy toes.”

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In scientific terms, the bends, also known as decompression sickness, occurs when dissolved gas comes out of solution forming bubbles in the blood. This condition demonstrates Henry’s Law which states that more gas will be dissolved in a liquid when the gas is pressurized. More commonly found in deep water divers that ascend too quickly, the bends can occur at other times during rapid pressure changes.

This track was initially introduced as being about “knowing who your real friends are and when they’re going to come to your gigs.” Thom soon simplified this to “knowing who your friends are.” The song reflects Radiohead’s sense of humour; it contains many ridiculous lines about the CIA and the Marines.

Of the opening, Thom says:

The sound at the beginning comes from this caterwauling mayhem outside this hotel in the States. There was this guy training these eight-year-old kids, who were parading up and down with all these differents instruments. The guy had this little microphone on his sweater and was going: ‘Yeah, keep it up, keep it up.’ So I ran out and taped it.

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This line is about the exhaustive nature of touring. For a two hours a night it’s standing in front of a screaming crowd of tens of thousands of fans, playing rock music, but the rest of the time it’s just sitting on tour buses or in airports, or waiting for sound checks, etc.

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The generally feel of the song is painting the picture a poor town in mire. However, instead of looking for the hopelessness of the situation he elevates this through a poetic filter. Essentially it is a love song to his `cherished' one who faces and repels the dire situation with him.

From a post by Peter (heavyhorse) : “The ‘wombles’ were a revolutionary sect from the era of the Mayday riots in the year 2000. They were rioters who all dressed up like wombles from the t.v series, including tinfoil shields and wobbly truncheons, mimicking the riot police. There were about 12 of them, but they had many enthusiastic disciples.”

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Doherty here transfers the problems with classism in England to the others who are ignorant of it, namely those who don’t see their place in it.

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“Time for Heroes” is a song by English rock band The Libertines, and is featured on their debut album, Up the Bracket. It was released 13 January 2003 as the third single from that album, placing at #20 in the UK Singles Chart (see 2003 in British music). Based on singer/guitarist Pete Doherty’s experiences and police brutality at the London May Day Riots of 2001.

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This verse can be seen as a reflection on British culture. The May Day Riots in 2000 were brought about by anti-capitalist protests; the USA is seen as the capitalist powerhouse of the world and baseball is a traditionally American sport, so for a working-class Englishman, to see someone wearing something such as a baseball cap is a disheartening fact and acts as a metaphor for the degradation of British culture and the inevitable rise of the capitalist machine.

In a sudden moment of realisation that the capitalist system has spread into all aspects of his life. He comes to terms with the fact that he may be stuck in the working-class for the rest of his life but doesn’t see this as something to be ashamed of as he knows that he and his love interest have stayed true to themselves and fought for what they believed in.

In a nutshell, it is about the hopelessness of the English society: the local English culture being replaced by American culture, and the society lacks mobility (people cannot improve their living standard anyhow).

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The “stylish kids in the riot” are the upper class young scallywags who joined in the May Day Riots in 2001.
In addition to that, Peter has stated in an old interview that, back in the day, he once walked past a police officer with a plastic riot shield. When he caught his reflection in the shield, he didn’t like what he saw so he started fixing his hair. The officer thought he was making fun of him and gave him a beating.

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“For No One” is a song written by Paul McCartney (credited to Lennon–McCartney) that originally appeared on The Beatles' seventh album, Revolver. A baroque pop song about the end of a relationship, it was one of McCartney’s most mature and poignant works upon its release. Mostly performed by the composer, the track is distinguished by its French horn solo, performed by Alan Civil and used as an obbligato in the final verse.

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Lennon was looking for a copy of The Portable Nietzsche — and Lennon had found a copy of The Psychedelic Experience that contained the lines: “When in doubt, relax, turn off your mind, float downstream”.

Lennon bought the book, went home, took LSD, and followed the instructions exactly as stated in the book. The book held that the “ego death” experienced under the influence of LSD and other psychedelic drugs is essentially similar to the dying process and requires similar guidance.

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