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“Dies Irae” (Day of Wrath) is a thirteenth century Latin hymn. It describes the day of judgment, the last trumpet summoning souls before the throne of God, where the saved will be delivered and the unsaved cast into eternal flames.

The hymn is best known from its use as a sequence in the Roman Catholic Requiem mass (Mass for the Dead or Funeral Mass). An English version is found in various Anglican Communion missals.

This line reinforces the narrators previous statment that, “i was made to live without you”. He is only humming the dies irae, while the other is full-out playing Hallelujah; while the narrator is contemplating the reprocussions of his decision to continue with this relationship, his mate is rejoicing in it and thereby increasing the distance between them by not picking up on the subtle hints of the narrator’s unhappiness. They are distinct people with opposing views, and so the narrator is unsure that their being together is in anyone’s best interest.

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Everlasting arms is a common reference to God’s protection in religious music (Christianity specifically). Everlasting arms is a phrase with an origin in Deuteronomy 33:27 “The eternal God is your refuge, and underneath are the everlasting arms.” Popular hymn “Leaning on the Everlasting Arms” uses this verse for its inspiration. Define everlasting, Ezra…

I see this as a plea from an “Unbeliever” looking for some faith, but feeling he could never accept belief in a higher power (a “master”). This perpetual embrace is more like that of a boa constrictor than an omnibeneficent God.

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This line brings to mind not only the addiction to love/sex, but the imagery of an S&M fantasy.

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Ferry isn’t exactly craving love; this is more of a metaphor for sex addiction.

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Well, writing Songs For The Deaf was already taken…

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That’s why it pays off to be a rebel…

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When Oasis played “Roll with It” on British chart show Top of the Pops, the Gallagher brothers didn’t “be who’d they be”. The brothers switched roles with Liam pretending to play guitar and Noel pretending to sing (equipped with Liam’s tambourine). It mocked the institution of miming and lip synching on programmes such as Top of the Pops, which the brothers are believed to dislike. The set ended with the band erupting in laughter at the Gallaghers' impressions of each other.

http://www.youtube.com/watch?v=oUTL2jSRIgE

They were not the first or the last rock band to do this. The Smiths had previously put on a similar performance on Top Of The Pops, with vocalist Morrissey singing into a bucket of flowers instead of a microphone. Later, Muse did a similar stunt on an Italian tv-show, where all the band members switched instruments.

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This line reflects the philosophy of principal Oasis songwriter Noel Gallagher:

People think I’m controversial for the answers I give to silly questions in interviews, but if somebody asks me what I think about Live 8 or Robbie Williams or Madonna, I’m not thinking about insulting those people; I say what I genuinely feel is in my heart. My conscience is clean, d’you know what I mean? Y’know, I’m true to myself — fuck everybody else.

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Turn your speakers up and Spillane’s exclamation will be more audible.

http://youtu.be/Z-fjyEIgWik?t=8m12s

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