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In a literal sense, Abel doesn’t mind if she’s taller than him with heels. Abel’s about 5' 9."

While this girl is definitely taller than average, it doesn’t matter; any physical dominance this girl has over Abel will be irrelevant when they hit the bed. Even if she ends up “on top” of him, he’s still the bird.

This is embodied in the phrase “watch me knock your boots off” as Abel metaphorically claims he can still end up as the dominant partner in their interaction.

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A “rolling stone” refers to smoking weed while rolling on ecstasy. The title alludes to Bob Dylan’s “Like A Rolling Stone”, where the phrase means a man who never settles down, but rather restlessly moves through the world.

While this song essentially serenades the “Lonely Star,” it also covers a larger metaphor. Instead of settling on the sound and success Abel’s found early in his career, he acknowledges that he wants to grow as an artist, and hopes his fans will follow him through his journey. He details this in an open letter to fans he released in 2012.

The Trilogy cover was derived from the music video for this song.

The guitar melody for this track was influenced by Andre Nickatina’s “Ayo For Yayo”.

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The eerie opening track on The Weeknd’s debut project takes us into an interaction between Abel and a girl being introduced to the XO nightlife. This song also serves as a notice for listeners to prepare to dive into the life of an innovative, edgy artist.

The atmosphere depicted in this track is both dark and mysterious, leading to The Weeknd assuming a dominant position. However, this should not portray a non-consensual situation, as The Weeknd has explained:

The tone is dark, the environment is the dark. But there’s not force in it. They want to have a good time. Everybody wants to be there. Whether they regret their choices after is whatever. But everybody is in consent.

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‘Coming down’ is experienced when the high achieved through drugs wears down. The effect is usually unpleasant, with episodes of feeling flat or depressed common. A sense of loneliness can arise and a need to be with someone or to talk to someone can follow. “I always want you” could imply he already wanted her before the high, but his inhibitions vanished during the high. Coming down allows for Abel to realize that he actually wants her.

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House of Balloons was released when Abel was a little older than 21 years-old. However, this song was recorded months before the release of this project.

Some argue that this line can refer to more than his age, as it also sounds like he’s saying “I’m only fucking 20 girl[s]” implying that he’s busy with more than her.

Amnesia or loss of memory is an effect of many drugs that this girl’s probably taken, including ecstasy, which may partially remove this girl from the reality of the world she has lived in and put her in the world created by her drug ingestion.

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The higher Abel gets on his drugs, the harder he will crash on his come down.

These lines also touch on his imminent climb in the music industry. Many artists sell out and “drop” lower quality music the more famous they become, eventually leading to the demise of their careers. However, The Weeknd has never been afraid of this commonality. He has touched on this topic in “Rolling Stone”, “The Fall”, and even in an open letter to his fans.

He has also acknowledged:

I’m not really scared of failing, because I already know what it means to be on the ground.

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This slow, seductive ballad draws on a metaphor equating The Weeknd to the collective group of drugs he ingests and provides to his lovers. The female being serenaded here is victim to both a physical dependency on drugs and an emotional dependency for connection with Abel.

The original version of “What You Need” released on House of Balloons sampled Aaliyah’s “Rock the Boat.” However, it was the only sample not cleared upon Trilogy’s release and was removed from the track.

The first of three tracks produced from Jeremy Rose, Abel would later feud against him for rights to the songs.

In select live performances involving this track, The Weeknd performed a version merging this song with Kiss Land opener “Professional.”

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The Weeknd applies concepts of poor modern consumerism to the world of music. Some artists rely on their past success to continue to be successful, just as a consumer may rely on credit to project a better lifestyle. However, these artists never live up to any potential, leading to a poor image or rating with fans. No one supports riding off of “credit” alone.

These lyrics are also ironic considering The Weeknd’s feud with ex-producer Jeremy Rose, who made several beats for House of Balloons, including this one. He’s been trying to get credit for the work he did on the tape, giving a new meaning to “tryna hold on to their credit.”

When Trilogy was released, Jeremy Rose was credited for his work on each of those songs.

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Abel’s aware of his girl cheating on him, as well as the fact that she can’t bring herself to confess her sins.

Discovering his girl’s infidelity has left Abel heartless. As shown in the music video, she hasn’t just broken his heart; she’s completely removed it from his chest. He subsequently goes and cheats on her in retaliation. Abel knows that he’s been with another woman without his girl’s knowledge, and when they have sex, his girl is getting the remnants of what his mistress already received.

Knowing all of this makes The Weeknd omniscient in this song. Maybe it’s that knowledge that makes him feel like God.

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Abel begins with a proclamation asserting his knowledge of his girl’s infidelity. The plot twist comes when he admits he has also cheated and that he feels no remorse for doing so, all in one line.

When he hooks up with his girl again, he’s going to let her taste the remains of his encounter with his mistress. Religious undertones emerge when Abel admits his awareness of his sins, but he has no desire to cleanse himself of the vices he’s committed.

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