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This lyrical twist on the phrase ‘united we stand divided we fall’ shifts the meaning from strength in unity to the exact opposite, signifying that their relationship is doomed. Alone, they shine the most, so the narrator is confident he’ll be alone without her.

It also serves as a fitting lead in to the next track on the album: “Alone, Together”.

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Everyone in the city he’s from says he changed, but he claims the city has changed, not him.

This happens a lot to rappers and others with new-found fame, that often either changes the person or other peoples' perception

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Marty Robbins had a 1955 hit single with “White Sport Coat (and a Pink Carnation)”, a song about a guy who was blown off by his prom date.

A bronco is an untrained horse that often bucks in an attempt to throw off the rider. This continues the American theme as bronco riding is a popular rodeo event in the southern United States. McLean most likely uses this spoonerism of “buckin' bronc” in order to rhyme with the following lines.

Like a bucking bronco, Don was quite wild as a teenager, and very confident, particularly around young women. With the loss of his favorite musicians, his cocksure personality was undermined somewhat.

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“Dear Professor” is the fifth song on The Drive In and is one of TKD’s most popular song.

The hook samples The Band Perry’s “If I Die Young”.

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He’s got the rap business and his career all planned out – just like a playbook in sports has the plays and game planned out

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A “hit” is one inhale of weed – or – a hit song is a popular song that is well known and liked
So he’s saying smoke some and pass it along, then make a sick new track.

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He wants to learn from his mistakes, and get stronger by learning to overcome them

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He wants to be a household name, sign to a solid record label and just generally be known as a great artist.

He’s addicted to the thought of changing the game and can’t stop thinking about it

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“Light Up The Sky” is the eleventh song on The Drive In and one of TKD’s more popular songs

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Lisztomania is a term that describes the hysteria fans would demonstrate at the performances of Franz Liszt, an internationally famous 19th-century pianist.

A more modern comparison is “Beatlemania” of the 1960’s. The English rock quartet actually stopped touring in the midst of the madness because screaming fans would drown out their performances, causing the shows to become less and less about the music.

However, in The Virtuoso Lizst, musicoligist Dana Goodley argues the difference between the manias of Liszt and The Beatles:

The word “Lisztomania” is used today as a colorful expression to describe the mass public enthusiasm inspired by Liszt. It resonates with echoes of the more familiar word “Beatlemania,” and because we are closer to the 1960s than the 1840s, we might naturally tend to filter our imagination of Liszt’s audiences through our images of Beatles fans. Yet, when the word “Lisztomania” was coined, the medical valences of the term “mania” were still strong, whereas in modern parlance it designates any popular fashion or craze, and scarcely bears a trace of medical discourse. Understanding the medical connotation of the term is more than an exercise in semantics. It is the first step toward defamiliarizing the enthusiasms of Liszt’s audiences and returning our sense of Lisztomania to its historical context.

Too dramatic for Phoenix, who prefer the classical era, hence the album title Wolfgang Amadeus Phoenix.

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