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Fédération Internationale de Football Association (FIFA) is the worldwide governing body of association football, also known as soccer. With revenues of around $1.3bn and huge cash reserves, it’s a big business.

In recent years, FIFA has come to be associated with corruption. Top officials have been accused of racketeering, money laundering, and bribery, as if they were drug lords. In other words, they’re moving money like footballers kick balls around.

Pusha is a notable fan of the sport: he wore a Manchester United shirt in the official video for the Re-Up Gang’s 2008 song “Fast Life;” he was seen wearing a Real Madrid jersey in an interview and at concerts; finally, he was once spotted wearing a modified AC Milan tee while performing in Italy (with the name of an Italian criminal organization on the back: Camorra).

Also, a very basic metaphor is how soccer balls are physically kicked around.

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Police officers are sworn to protect its citizens and uphold the law, but many laws and legal loopholes have blurred the lines between right and wrong. Finding profit in arresting people is one of the things that have corruptly help finance many police departments and is made easier by targeting minorities and low income neighborhoods. The Department of Justice revealed Ferguson’s police department for example have made 16,000 arrest warrants in the past year, over 75% of the population, and most cases were against the African-American population.

Privatized prisons and the use of minorities and low income citizens as cheap labor have also fed into the lucrative prison industrial complex, further increased by nonviolent drug offenses. The more people are arrested, the more prisons are made, which then create jobs for the state and new departments to manage. As a result, the United States has the largest incarceration rate per capita in the world, with 2.2 million people behind bars, 22 percent of the world’s prisoners. It in turn has created a $74 billion price tag for all correctional facilities in the United States.

Kanye West has referenced this in “New Slaves”:

“Meanwhile the DEA
Teamed up with the CCA
They tryna lock niggas up
They tryna make new slaves
See that’s that privately owned prison
Get your piece today”

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Shouting out the track’s producer, fellow Virginia native Timbaland (who also produced “Untouchable” and “Got Em' Covered” on this album), as well as a nod to Kanye West and Jay-Z single “Otis” from Watch the Throne.

In the video, Ye and Hov chopped and customized a Maybach 57 and drove around with pure weathly glee with four models in the backseat.

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In tennis, “serving” is what starts a point (or match); the ball and therefore the odds stay the same until one or the other scores against their opponent.

Like tennis, Kendrick says one may be better off temporarily until it’s do-or-die time. When the ball is in their court, that means it calls on them to take action, even if fatally in Kendrick’s sense.

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These lines take inspiration from Jay-Z’s song “Bring it On” off his debut “Reasonable Doubt”:

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Perdition refers to “the state of being in hell forever as punishment after death.”

Similar to the previous line, Jay parallels his own rise to fame with that of a film plot. Road to Perdition stars Tom Hanks as a mob enforcer who takes revenge on those who killed his family. While the killings seem easy in the moment, the consequences of his actions lead to darker outcomes than he ever imagined. Jay’s no killer, but succeeding in the music industry comes with it’s fair share of vices.

Jay is a film buff who frequently features movies in his work. His first offering Act I: Eternal Sunshine (The Pledge) was built from Jon Brion’s soundtrack to the film Eternal Sunshine of the Spotless Mind, and featured samples from Charlie and The Chocolate Factory and “Abracadabra” is titled after a quote from The Prestige and samples dialogue from the movie. The three Act structure of his projects is also patterned after the format for magic tricks in the movie.

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Hov’s additions to the track are from his song “Success” featuring Nas. The track appeared on his album American Gangster, which was inspired by the film of the same name.

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Anaconda here is a euphemism for his junk, saying he doesn’t get aroused by a girl unless her butt is big.

Mix explained the story behind this line to Vulture in 2013:

There was one change (producer Rick Rubin) suggested: ‘On your punch line, I need you to hit mute, and drop the music out so that people can hear what you’re saying. That’s gonna drive the song.’ That’s where ‘my anaconda don’t want none” or 'I’m thinkin’ about stickin’’ came from. As soon as he heard the finished track, he said, ‘People are gonna be talking about this twenty years from now.’

These lines became the hook to Nicki Minaj’s 2014 hit single “Anaconda”, which heavily samples this song.

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