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If the girl has a hard time letting go emotionally of her friends and ex-boyfriend, Abel recommends getting high and burning away her sorrows with a shot of XO cognac.

He’s also implying that he’s experienced with heartbreak and cutting people off, which is ironic because after tonight, this girl will probably be left alone to begin a descent into darkness extending well beyond the high.

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Frank first plays “4th Dimensional Transition” by MGMT, the sixth track from their Oracular Spectacular album. After a few seconds, he rewinds the tape to the previous track, “Kids”.

Then he rewinds to the prior track “Electric Feel” – this is used as the instrumental for the next (and ultimate) song of nostalgia, ULTRA: “Nature Feels”

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During Shyne’s stint in prison, he changed his name to Moses Michael Levi, reflecting his Jewish heritage, and presently is a learned man of the Torah in Israel

P and his associate keep their drugs legit.

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Gotta be top notch to be whiter than that…

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Big uses similar intonation of the word “hardcore” on “Machine Gun Funk,” albeit to chide a poseur.

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He’s a beast* because he’s irresistible to all women—even to lesbians. This is an old hip-hop meme invoked by various artists, including The Notorious B.I.G. on “The What”.

If Rocky can really do what he claims, he should go to Hong Kong and catch a quick £40 million check:

*It’s worth noting that every verse in this song ends with the word “beast.”

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Do not be deceived: God cannot be mocked. A man reaps what he sows. Whoever sows to please their flesh, from the flesh will reap destruction; whoever sows to please the Spirit, from the Spirit will reap eternal life.

       -Galatians 6:7-8

With Biblical phrasing, Big Boi states that his hard work has reaped rewards, with strong sales and critical praise for his work.

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Showing distaste for former president George W. Bush has become a sort of running joke within the hip-hop community; Sean plays into this here by referencing said distaste by stating how he didn’t vote for Bush either in 2000 or 2004.

This clarifies that he wasn’t being conservative by not voting for Obama – he just doesn’t give a fuck

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Biggie obviously knows he didn’t invent rap, but he is underscoring that he is so talented at rapping that he may as well have invented it.

Much like how Rakim, through his prodigious talent at complex rhyming schemes, elevated the entire music form, Biggie is claiming (with good justification) to have done the same

Given this song is about California and Biggie repeatedly proclaims himself the king on New York, he might also be referring to his position as leader of the city where rap was invented (hip hop emerging from the Bronx in the 1970s)

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Here, the phrase “condom wrappers” is used as a homonym, alongside “condom rappers.” The origins of the latter term are disputed, but it has been theorized that “condom rappers” are either ones who rap incessantly about sex or artists from the ‘80s who warned against the dangers of unprotected intercourse.

Kendrick reminisces about when he would dream of being as successful as the rappers he listened to. Back then, using condoms wasn’t considered “cool,” as the dangers of STDs were not very well known. At the time, Compton hip-hop was not yet famous—Compton was put on the map starting with N.W.A, who released their debut album Straight Outta Compton in 1988. Given the possible reference to 1980s hip-hop and condoms, this could also be a subtle shout-out to fellow Compton rapper and N.W.A member Eazy-E, who died from complications of AIDS in 1995.

The Notorious B.I.G. also mentioned this cultural transition from a contraception-averse society to wearing condoms due to the dangers of disease on his September 1994 track, “The What”:

I used to get feels on a bitch
Now I throw shields on the dick, to stop me from that HIV shit

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